37 research outputs found

    Land reclamation, farm mechanisation, rural repopulation: the shifting landscape of the Gharb Valley in Morocco, 1912–1956

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    This article investigates rural resettlement schemes implemented by the French colonial administration in the light of the relationship between major economic, social and demographic dynamics in the Protectorate of Morocco. It explores the ways in which the French colonisers transformed the rural landscape of the Gharb valley in Morocco’s Rabat region. I depict the spatial configuration of the several stages by which rural colonisation and agricultural modernisation took place in the region, in relation to the patterns of human settlement they produced. The initial spatial configuration of the Gharb, determined by French colonial policies through the official colonisation programme and its orientation toward extensive agriculture, was subverted by the massive introduction of water drainage and irrigation infrastructure. The construction of reservoir dams and the establishment of drainage and irrigation perimeters across the valley induced a concentration of private and public investments that led to rural modernisation in certain, delimited areas. To compensate for a rural exodus that was overcrowding the outskirts of major Moroccan urban centres and for the lack of a local workforce available for employment on colonists’ farms, the French architect and urban planner Michel Écochard and his collaborators at the Service de l’Urbanisme conceived an ambitious programme of rural resettlements in the Gharb valley

    The Palm Oil Controversy: Architecture and Environmental Depletion in the Congolese Forest

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    https://doctalks.net/12-December-2023-DocTalks-x-MoMA_Merin-Tenzoninfo:eu-repo/semantics/nonPublishe

    Planning in the countryside: models and ideas for the Rabat region (1920-1956

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    Water: Modern, Modernity, Modernisation

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    State of the art: Michel Écochard’s rural resettlement schemes in the Gharb, Morocco

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    Memoria e accidente in “Case Sparse: Visioni di Case che Crollano”

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    Modern goes to the countryside: A brief history of how the 20th century tamed nature and reinvented the rural in Europe and beyond.

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    https://www.domusacademy.com/news-and-events/urban-and-landscape-design-workshop-lecture-by-michele-tenzoninfo:eu-repo/semantics/nonPublishe

    Roundtable - Deep in the countryside: current trends in Modernism research

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    Modernism, as the cultural and artistic expression of core modern values has been, quite always, associated with urban and industrial contexts, as opposed to a declining, atavistic countryside. Just as how the export of Western modernisms to the colonies and developing countries gave birth to “Other” or “Hybrid” modernisms, the introduction of modernism in the countryside blurred modern values.The MODSCAPES project (Oct.2016-2019; funded under the HERA JRP III call dedicated to the “Uses of the Past”) specifically questions this commonplace as it deals with “Modernist reinventions of the rural landscape”: large-scale agricultural development schemes, planned and implemented during the 20th century throughout Europe and beyond. From the Fascist reclamation of the Pontine Marshes to Zionist agricultural colonisation, from Soviet forced collectivisation of the Baltic States countryside to the exchange of refugee to interwar Northern Greece, such schemes were conceived in different political and ideological contexts, combining major land reclamation works with the (re)settlement of problematic groups. They were pivotal experiments in nation-building policies, aiming at modernizing the countryside and provided a testing ground for the ideas and tools of environmental and social scientists, architects, engineers, planners, landscape architects and artists, which converged around a shared challenge.The present roundtable proposes invites participants involved in MODSCAPES to deliver short position statements based on their ongoing case-study research in response to the following questions and discuss them with the audience:- How did typical modernist themes such as speed, technology, scientific progress, human control of the environment, calculation, rhythm, … reacted in rural environments? Were these values still able to convey progressive values, or did they abdicate to authoritarian ideologies? Did the encounter with the rural impose the emergence of specific modernist themes?- While hovering between the past, alleged vernacular authenticity, and idealised visions of a possible future, which conceptions of “past” and “future” di modernist rural landscapes entail in different periods and places?- Some modernist rural landscapes stand out for their bold architectural experiments, while others for their innovative agricultural landscape, and yet others for their cultural contributions to literature, folk music, etc. Which cultural agencies, whether planned or spontaneous, succeeded in creating a new “place identity”, and why?- What is the present legacy of modernist rural landscapes? Is it limited to a physical one, as cultural heritage? Can they inspire new ways to combine welfare, migration and planning policies to cope with the current refugee crisis, or with the quest for more sustainable urbanisation and development policies?Over and all, this roundtable aims to discuss the new lights shed on Modernism research by modernist rural landscapes.0info:eu-repo/semantics/nonPublishe

    Memoria e Inciampo in “Case Sparse: Visioni di Case che Crollano” di Gianni Celati

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    The La Martella village in Matera: rural modernity in postwar Southern Italy

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