Comics Telling Refugee Stories

This chapter begins with an indicative survey of comics responding to the current ‘refugee crisis’. The comics in question adopt one of two distinct and established approaches. The first is reportage, usually featuring the author/creator as a central device, while the second re-works and renders testimony in visual form. In their different ways, both contribute to a wider repertoire of positive and sympathetic representations of refugees, offering a counter-point to hostile media and political discourse, often by a focus on the stories of individuals. Mobilizing compassion and moral responses through personal stories of hardship, trauma, tenacity, and survival has long been a tactic of reformist agendas and humanitarian advocacy. By their qualitative difference from dominant forms of factual discourse, comics offer certain advantages. They may also circumvent certain problems associated with photographic representations of suffering. Such comics can nevertheless run the risk of re-producing established victim tropes, and just as with other forms of representation, human-interest angles carry the potential to obscure political dimensions. In an attempt to consider and situate these concerns, the analysis considers the various positions and relations that constitute ‘refugee comics’: subjects, readers, creators, (im)materiality, and circulation