The erotic charisma of Alexander Hamilton

As an outsider with a mysterious childhood, Alexander Hamilton is, as psychologists say, a good "hook" for a projective identification. For his admirers Hamilton is a source of political capital. His ideas and proposals about the debt, protectionism, and an American manufacturing base are in the news in the early twenty-first century. Although the Old Left saw Hamilton as an elitist, possibly a monarchist, and a promoter of industrial capitalism, contemporary American progressives have called attention to his explicit support for habeas corpus, his efforts on behalf of banking, and his surprisingly enlightened attitudes about race and slavery. As one of the founders of a new republic, Hamilton knew he would be in the history books, but his image, representations of his physical presence, and speculation about his private life circulate on the Internet in ways that would surely astonish him. Alexander Hamilton not only has admirers in the fields of politics and history; he also has fans. © 2010 Cambridge University Press

Holiday Masterworks, December 7, 2013

This is the concert program of the Holiday Masterworks performance on Saturday, December 7, 2013 at 7:30 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. Works performed were A Ceremony of Carols, Op. 28 by Benjamin Britten, and Amahl and the Night Visitors by Gian Carlo Menotti. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

The Barber of Seville "Il Barbiere di Siviglia," April 17, 2008

This is the concert program of the Boston University Opera Institute and Chamber Orchestra performance of The Barber of Seville ("Il Barbiere di Siviglia") by Gioachino Rossini with libretto by Cesare Sterbini, running Thursday, April 17, through Saturday, April 19 at 7:30 p.m., and at 2 p.m. on Sunday, April 20, 2008, at the Boston University Theatre, 264 Huntington Ave. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Poor performance of broadleaf plantations and possible remedial silvicultural systems - a review

Peer-reviewedOver the last two decades planting of broadleaves has been part of forest policy. In addition to the provision of a range of ecosystem services, it is intended that this resource will have a direct economic stimulus through the supply of quality hardwood. A number of challenges must be met in order to achieve this objective, particularly as current observations would indicate that many first rotation broadleaf plantations comprise a relatively high proportion of poor quality stems. A literature review has been carried out on the probable causes of poor performance in broadleaf crops. Silvicultural systems to rehabilitate poor quality stands are discussed. Subsequent papers will deal with these silvicultural systems in more detail.COFOR

Faculty Recital: Pavel Nersessian, piano, October 11, 2018

This is the concert program of the Faculty Recital: Pavel Nersessian, piano on Thursday, October 11, 2018 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Chants du Rhin (Songs of the Rhine) by Georges Bizet, Drei Klavierstücke D. 946 by Franz Schubert, Kinderszenen Op. 15 by Robert Schumann, and Sonata No. 3 Op. 58 by Frédéric Chopin. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

15th Annual Fall Fringe Festival, October 7-29, 2011

This is the concert program of the 15th Annual Fall Fringe Festival performance beginning on Friday, October 7, 2011 at 8:00 p.m., at the Boston University Theater, 264 Huntington Avenue, Boston, Massachusetts. Works performed were Bluebeard's Castle by Béla Bartók, Three Decembers by Jake Heggie, and Intimate Apparel by Lynn Nottage. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Chamber Orchestra, November 19, 2013

This is the concert program of the Boston University Chamber Orchestra performance on Tuesday, November 19, 2013 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Symphony No. 34 in C major, K. 338 by Wolfgang Amadeus Mozart, and Suite from "Mother Goose" by Maurice Ravel. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Muscogiana Vol. 7(3&4), Fall 1996

https://csuepress.columbusstate.edu/muscogiana/1023/thumbnail.jp

La Clemenza di Tito, April 18-21, 2013

This is the concert program of the La Clemenza di Tito performance on Thursday, April 18, 2013 at 8:00 p.m., at the Boston University Theater, 264 Commonwealth Avenue, Boston, Massachusetts. The work performed was La Clemenza di Tito by Wolfgang Amadeus Mozart. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund