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No full textRecording of Jøran Rudi's Moment. This work is composed of synthetic and natural sound, transposed and stretched according to ratios taken from spectral data found in a bell-timbre. In addition, the voice element is treated to create time-variable harmonicity. The artifacts from the stretching have been brought forward in the composition through filtering. The synthetic sound consists of an algorithmically composed element, where a series of numbers control the same parameters in the synthesis. The algorithm scales the numbers to strengthen the low end of the register. The composer describes "Moment" as a slowly developing little piece, composed to be candy for the ear
‘from a musical point of view, the world is musical at any given moment’: an interview with bill fontana
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Blomberg Katja (ed.), Peter Ablinger, hearing LISTENING, Kehrer Verlag, Heidelberg, 2008. ISBN 978-3-86828-003-6 - Beirer Ingrid (ed.), Bernhard Gál, Installations. Kehrer Verlag, Heidelberg, 2005. ISBN 3-936636-53-2 - Digel Brigitte and Künzig Bernd (eds.), Kristof Georgen, Sound. Kehrer Verlag, Heidelberg, 2009. ISBN 978-3-86828-050-0 - Beirer Ingrid (ed.), Douglas Henderson, playback. no rewind button. Kehrer Verlag, Heidelberg, 2008. ISBN 978-3-86828-015-9 - Herzogenrath Wulf (ed.), Christina Kubisch, Electrical Drawings. Kehrer Verlag, Heidelberg, 2008. ISBN 978-3-86828-013-5
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Thomas Gardner, Salomé Voegelin (eds.), Colloquium: Sound Art – Music. Winchester: Zero Books, 2016. ISBN: 978178279 895 8
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