Revived beauty: Research into aesthetic appreciation of materials to valorise materials fromwaste

The use of materials derived from waste is one of the prominent ways to contribute to sustainable product design. However, there is a stark gap in literature concerning how people appraise such materials. In this paper, we present our initial attempts to understand the aesthetic appreciation of materials, in particular those derived from discarded raw materials, i.e., revived materials. Two studies were conducted for which we took the aesthetic principle unity-in-variety as the departure point. In the first study, we explored material appraisals by testing whether different visual and tactile qualities interrelate with each other in a similar or contradictory way. Based on these findings, two revived materials were modified and our main assumptions were further explored in Study 2. We outline our findings and show that the aesthetic appreciation of a material can be influenced by the (in)congruity between visual and tactile qualities of the material.Circular Product DesignEmerging Material

Living artefacts for regenerative ecologies

Introduced in 2020, the notion of living artefacts encompasses biodesign outcomes that maintain the vitality of organisms such as fungi, algae, bacteria, and plants in the use of everyday artefacts, enabling new functions, interactions, and expressions within our daily lives. This paper situates living artefacts at the intersection of the sustainability discourse and more-than-human ontologies, illuminating the unprecedented opportunities that living artefacts present for regenerative ecologies. These ecologies are characterized by a fundamental inclination toward mutualism, creativity, and coevolution. In regenerative ecologies, the human-nature relationship transcends the binary distinction and it manifests as a single autopoietic system in which the constituent members collaboratively engage in the creation, transformation, and evolution of shared habitats. The paper outlines five pillars, supplemented by guiding questions and two illustrative cases, to aid designers in unlocking, articulating, and critically evaluating the potential of living artefacts for regenerative ecologies.Emerging MaterialsMaterials and ManufacturingHuman Information Communication Desig

Crafting Materials During COVID-19: The Locked-Down Material Lab

Lately, designers have become deeply interested in the materials generation process. With an approach of transforming unconventional elements into possible materials, they discover many possibilities with new characteristics ready to explore. This article discusses a study proposing concepts of materials generation, focusing on self-production in a pandemic context of domestic isolation and resource limitations. It follows the Do-It-Yourself Materials approach to create homemade samples (organic waste-based) and the experience-based method called Material Driven Design (to search for new insights in the material samples) as a framework. The research presents some tools to measure and understand possible new materials. It evaluates the materials experience generated in users when using unconventional sources for their creation and shares some information to get a more straightforward path when choosing to work with an experimental approach to developing alternative materials.Materials and Manufacturin