Queering I Am Not Your Negro: or Why We Need James Baldwin More Than Ever

The author reviews Raoul Peck’s 2016 film, I Am Not Your Negro, finding it a remarkable achievement as a documentary that breaks with cinematic conventions and emphasizes the importance of listening as much as looking. The director has singled out Baldwin as the writer whose work spoke most directly to his own identity and experience during his peripatetic childhood in Haiti and Africa, and in I Am Not Your Negro, Peck aims to ensure that Baldwin’s words will have a similar effect on audiences. However, even as it succeeds in reanimating Baldwin’s voice for a new political era, I Am Not Your Negro inadvertently exposes the difficulty of fully capturing or honoring the writer’s complex legacy. As scholars have long noted, interest in Baldwin’s life and work tends to divide along racial and sexual lines, and Peck’s documentary is no exception. The filmmaker privileges Baldwin’s blackness over his queerness by overlooking the parts of The Devil Finds Work and No Name in the Street in which the writer’s queerness figures prominently

Romancing Beale Street (review)

The author reviews Barry Jenkins’s 2018 film adaptation of Baldwin’s novel, If Beale Street Could Talk, finding that Jenkins’s lush, painterly, and dreamlike visual style successfully translates Baldwin’s cadenced prose into cinematic language. But in interpreting the novel as the “perfect fusion” of the anger of Baldwin’s essays and the sensuality of his fiction, Jenkins overlooks the novel’s most significant aspect, its gender politics. Baldwin began working on If Beale Street Could Talk shortly after being interviewed by Black Arts poet Nikki Giovanni for the PBS television show, Soul!. Giovanni’s rejection of Baldwin’s claims that for black men to overcome the injuries of white supremacy they needed to fulfill the breadwinner role prompted him to rethink his understanding of African American manhood and deeply influenced his representation of the novel’s black male characters. The novel aims to disarticulate black masculinity from patriarchy. Jenkins’s misunderstanding of this aspect of the novel surfaces in his treatment of the character of Frank, who in the novel serves as an example of the destructiveness of patriarchal masculinity, and in his rewriting of the novel’s ending

Queering I Am Not Your Negro: or Why We Need James Baldwin More Than Ever

The author reviews Raoul Peck’s 2016 film, I Am Not Your Negro, finding it a remarkable achievement as a documentary that breaks with cinematic conventions and emphasizes the importance of listening as much as looking. The director has singled out Baldwin as the writer whose work spoke most directly to his own identity and experience during his peripatetic childhood in Haiti and Africa, and in I Am Not Your Negro, Peck aims to ensure that Baldwin’s words will have a similar effect on audiences. However, even as it succeeds in reanimating Baldwin’s voice for a new political era, I Am Not Your Negro inadvertently exposes the difficulty of fully capturing or honoring the writer’s complex legacy. As scholars have long noted, interest in Baldwin’s life and work tends to divide along racial and sexual lines, and Peck’s documentary is no exception. The filmmaker privileges Baldwin’s blackness over his queerness by overlooking the parts of The Devil Finds Work and No Name in the Street in which the writer’s queerness figures prominently

Queering <i>I Am Not Your Negro</i>: or Why We Need James Baldwin More Than Ever

The author reviews Raoul Peck’s 2016 film, I Am Not Your Negro, finding it a remarkable achievement as a documentary that breaks with cinematic conventions and emphasizes the importance of listening as much as looking. The director has singled out Baldwin as the writer whose work spoke most directly to his own identity and experience during his peripatetic childhood in Haiti and Africa, and in I Am Not Your Negro, Peck aims to ensure that Baldwin’s words will have a similar effect on audiences. However, even as it succeeds in reanimating Baldwin’s voice for a new political era, I Am Not Your Negro inadvertently exposes the difficulty of fully capturing or honoring the writer’s complex legacy. As scholars have long noted, interest in Baldwin’s life and work tends to divide along racial and sexual lines, and Peck’s documentary is no exception. The filmmaker privileges Baldwin’s blackness over his queerness by overlooking the parts of The Devil Finds Work and No Name in the Street in which the writer’s queerness figures prominently

Assessment of chiropractic care on strength, balance, and endurance in active-duty U.S. military personnel with low back pain: a protocol for a randomized controlled trial

Abstract Background Low back pain (LBP) is a common cause of disability among U.S. military personnel. Approximately 20% of all diagnoses resulting in disability discharges are linked to back-related conditions. Because LBP can negatively influence trunk muscle strength, balance, and endurance, the military readiness of active-duty military personnel with LBP is potentially compromised. Chiropractic care may facilitate the strengthening of trunk muscles, the alteration of sensory and motor signaling, and a reduction in pain sensitivity, which may contribute to improving strength, balance, and endurance for individuals with LBP. This trial will assess the effects of chiropractic care on strength, balance, and endurance for active-duty military personnel with LBP. Methods/design This randomized controlled trial will allocate 110 active-duty military service members aged 18–40 with non-surgical acute, subacute, or chronic LBP with pain severity of ≥2/10 within the past 24 h. All study procedures are conducted at a single military treatment facility within the continental United States. Participants are recruited through recruitment materials approved by the institutional review board, such as posters and flyers, as well as through provider referrals. Group assignment occurs through computer-generated random allocation to either the study intervention (chiropractic care) or the control group (waiting list) for a 4-week period. Chiropractic care consists primarily of spinal manipulation at a frequency and duration determined by a chiropractic practitioner. Strength, balance, and endurance outcomes are obtained at baseline and after 4 weeks. The primary outcome is a change between baseline and 4 weeks of peak isometric strength, which is measured by pulling on a bimanual handle in a semi-squat position. Secondary outcomes include balance time during a single-leg standing test and trunk muscle endurance with the Biering-Sorensen test. Patient-reported outcomes include pain severity, disability measured with the Roland Morris Disability Questionnaire, symptom bothersomeness, PROMIS-29, Fear Avoidance Beliefs Questionnaire, expectations of care, physical activity, and global improvement. Discussion This trial may help inform further research on biological mechanisms related to manual therapies employed by chiropractic practitioners. Trial registration ClinicalTrials.gov, NCT02670148 Registered on 1 February 2016