Strong edge features for image coding

A two-component model is proposed for perceptual image coding. For the first component of the model, the watershed operator is used to detect strong edge features. Then, an efficient morphological interpolation algorithm reconstructs the smooth areas of the image from the extracted edge information, also known as sketch data. The residual component, containing fine textures, is separately coded by a subband coding scheme. The morphological operators involved in the coding of the primary component perform very efficiently compared to conventional techniques like the LGO operator, used for the edge extraction, or the diffusion filters, iteratively applied for the interpolation of smooth areas in previously reported sketch-based coding schemes.Peer ReviewedPostprint (published version

Prediction error image coding using a modified stochastic vector quantization scheme

The objective of this paper is to provide an efficient and yet simple method to encode the prediction error image of video sequences, based on a stochastic vector quantization (SVQ) approach that has been modified to cope with the intrinsic decorrelated nature of the prediction error image of video signals. In the SVQ scheme, the codewords are generated by stochastic techniques instead of being generated by a training set representative of the expected input image as is normal use in VQ. The performance of the scheme is shown for the particular case of segmentation-based video coding although the technique can be also applied to motion-compensated hybrid coding schemes.Peer ReviewedPostprint (published version

New approaches to texture coding in segmentation and feature-based image coding schemes

Peer ReviewedPostprint (published version

Coding of details in very low bit-rate video systems

In this paper, the importance of including small image features at the initial levels of a progressive second generation video coding scheme is presented. It is shown that a number of meaningful small features called details should be coded, even at very low data bit-rates, in order to match their perceptual significance to the human visual system. We propose a method for extracting, perceptually selecting and coding of visual details in a video sequence using morphological techniques. Its application in the framework of a multiresolution segmentation-based coding algorithm yields better results than pure segmentation techniques at higher compression ratios, if the selection step fits some main subjective requirements. Details are extracted and coded separately from the region structure and included in the reconstructed images in a later stage. The bet of considering the local background of a given detail for its perceptual selection breaks the concept ofPeer ReviewedPostprint (published version

Morphological filter for lossless image subsampling

We present a morphological filter for lossless image subsampling for a given downsampling-upsampling strategy. This filter is applied in a multiresolution decomposition and results in a more efficient scheme for image coding purposes than other lossy sampling schemes. Its main advantage is a greatly reduced computational load compared to multiresolution schemes performed with linear filters.Peer ReviewedPostprint (published version

A new approach to texture coding using stochastic vector quantization

A new method for texture coding which combines 2-D linear prediction and stochastic vector quantization is presented in this paper. To encode a texture, a linear predictor is computed first. Next, a codebook following the prediction error model is generated and the prediction error is encoded with VQ, using an algorithm which takes into account the pixels surrounding the block being encoded. In the decoder, the error image is decoded first and then filtered as a whole, using the prediction filter. Hence, correlation between pixels is not lost from one block to another and a good reproduction quality can be achieved.Peer ReviewedPostprint (published version

An efficient technique of texture representation in segmentation-based image coding schemes

In segmentation-based image coding techniques the image to be compressed is first segmented. Then, the information is coded describing the shape and the interior of the regions. A new method to encode the texture obtained in segmentation-based coding schemes is presented. The approach combines 2-D linear prediction and stochastic vector quantization. To encode a texture, a linear predictor is computed first. Next, a codebook following the prediction error model is generated and the prediction error is encoded with VQ. In the decoder, the error image is decoded first and then filtered as a whole, using the prediction filter. Hence, correlation between pixels is not lost from one block to another and a good reproduction quality can be achieved.Peer ReviewedPostprint (published version

El modelo hagiográfico de Santa Ana en la Valencia tardomedieval

Este trabajo analiza el modelo de santidad femenina generado por la hagiografía de santa Ana, para lo cual se han comparado la Vida de la gloriosa Santa Anna de Joan Roís de Corella, las Vitae Christi de Ludolfo de Sajonia, Francesc Eiximenis e Isabel de Villena y la Vida de la sacratíssima verge Maria de Miquel Peres. Estas cinco obras, fruto de la corriente estética que en toda Europa generó la devoción a la humanidad de Cristo, forman parte esencial del canon de la literatura religiosa que se leyó en la Valencia tardomedieval y bien pudieron forjar conjuntamente un modelo de santidad femenina.This paper analyzes the model of feminine holiness generated by the hagiography of St. Anne thorugh the comparison of Vida de la gloriosa Santa Anna by Joan Roís de Corella, versions of Vitae Christi by Ludolf of Saxony, Francesc Eiximenis, and Isabel de Villena, and Vida de la sacratíssima verge Maria by Miquel Peres. These five works are the consequence of an aesthetic and spiritual trend across Europe linked to the devotion to the humanity of Christ. They are an essential part of the canon of religious literature read in late Medieval Valencia, and all together created a model of feminine holiness.