The Year That Was

AUSTRALIA 1989, CANADA 1988, INDIA 1988, INDIA 1989, PAKISTAN 1988, PAKISTAN 1989, SRI LANKA 1989, SOUTH AFRICA 1987

Marriage and the position of women, as presented by some of the early Victorian novelists

The subject of this thesis is the unusual nature, in the presentation of courtship and marriage, of Trollope's depiction of women as compared with that of other novelists of the first part of the Victorian age. To demonstrate Trollope's remarkable objectivity and realism, I consider first the treatment by him and by three other male novelists of the period of the motivations towards marriage of women. In the first chapter I sketch out the concept of marriage that actually prevailed and suggest thereby the importance of its achievement for women; and also give a rough idea of the restrictions imposed on the treatment of the subject by the critical consensus of the times. In the next four chapters I illustrate the artificiality, according with these restrictions, with which Dickens, Thackeray and Kingsley deal with the subject of courtship, and contrast with this the sympathetic understanding towards women that Trollope exhibits. I examine in detail in the sixth chapter critical reactions to the works of these writers, in an attempt to show to what extent the distinctions I have made were noted by the Victorians and by more recent critics. In the second part of the thesis I deal with the treatment of relations in marriage itself. Having first considered the singularly few instances in the novelists discussed earlier of the workings of marriage treated on an independent basis, I examine the approach of George Eliot who, along with Trollope, expands upon the subject at length. Arguing that a dogmatic view of the marital relation vitiates her treatment, in the final chapter I explore the contrast offered by Trollope's realistic presentation of the topic

Illusions under an Alien Sky: Paul Scott’s precursor to the Raj Quartet

Paul Scott’s second novel, The Alien Sky, foreshadows the interest with the subject of Indian independence that dominates his final great achievement, The Raj Quartet. Though in this single novel Scott’s obvious concern is the British reaction to independence, I believe in his presentation of his characters he also explores some of the moral concepts relating to colonialism and independence that he analyses so illuminatingly in the Quartet. In particular he shows how elements in the individual human psyche contribute to actions and reactions within relationships based on power, which are the dominant feature of the imperial situation. One of Scott’s principle themes is that, because of the power factor, even for the most idealistic of those within the system there were boundaries that could not be crossed. While Scott exposes then those who have no qualms about abusing their power, I suggest that he reserves his sharpest criticism for those who fail to live up to their expressed ideals because of their reliance on the system with which in the end they must show solidarity. Before he began the Raj Quartet, Scott had written eight novels all of whic