Philip: A Connective Figure in Polyvalent Perspective (Chapter in Character Studies in the Fourth Gospel)

While Philip plays no special role in the Synoptics, he plays more of a central role in the Fourth Gospel. Aside from references to Peter and the Beloved Disciple, Philip is mentioned in John more often (a dozen times) than any of the other followers of Jesus - either male or female. Interestingly, he plays a connective role in the narrative, and in several ways. At the outset of the Gospel, during the calling narrative, Philip plays the role of an intermediary, connecting Nathanael with Jesus (John 1:43-48). At the beginning of the feeding narrative, Philip is asked by Jesus to feed the crowd (6:5-7), a request that correlates with his hailing from the nearby town, Bethsaida. At the end of Jesus\u27 public ministry, Philip plays a pivotal role in connecting Greek seekers with Jesus, leading to Jesus\u27 declaration that his hour is fulfilled (12:21-23). And, leading into the first of the final discourses, Philip asks Jesus to show the disciples the Father (14:8-9), whereupon Jesus invites all to a connection with God. As such, Philip provides a bridge between others and Jesus at pivotal points, playing a prominent ambassadorial role. This essay will suggest how that is so in terms of polyvalent characterological analysis, leading to interpretive considerations

'Every Day Is A Good Day' - musical events to accompany the Hayward Touring Exhibition of John Cage's visual art. Huddersfield 2010

To accompany the Hayward Touring Exhibition of John Cage's visual art in Huddersfield, 2010, Philip Thomas curated a series of concerts featuring Cage's music. These included: Friday 19 November - Alvin Curran and edges ensemble (dir. Philip Thomas) performance: Alvin Curran 'Ear Training' Friday 19 November - edges ensemble (dir. Philip Thomas): John Cage 'Variations II' Saturday 20 November - Philip Thomas performs 12-hour solo version of John Cage 'Electronic Music for piano' Sunday 21 November - Apartment House perform John Cage 'Score (40 Drawings by Thoreau) and 23 parts...' at dawn in Yorkshire Sculpture Park, James Turrell deer shelter Wednesday 24 November - Philip Thomas and Apartment House: John Cage 'Winter Music + Atlas Eclipticalis' Wednesday 24 November - Alvin Curran, edges ensemble (dir. Philip Thomas) and Apartment House: Alvin Curran 'Take the Cage Train

Philip R. Dankert

[Excerpt] Since 1970 Philip R. Dankert has worked building the print and electronic based collections at Catherwood. His experience acquiring the literature in the field of industrial and labor relations and human resources management is unrivaled in this country. By latest calculation, approximately 60% of the volumes on Catherwoods shelves have been acquired during his stewardship of building the foremost library of its type in North America and one of only three such libraries in the world. Phil retired in 2004

Liturgical spirituality

Pfatteicher, Philip H. Liturgical spirituality. Valley Forge: TPI, 1997

What\u27s so amazing about grace

Yancey, Philip. What\u27s so amazing about grace. Boston: Little, Brown, 1999

Do Androids Dream of Electric Sheep? by Philip K. Dick

A retrospective review of Philip K. Dick\u27s Do Androids Dream of Electric Sheep

Influencing the world of practice: CCPR in Scotland

Interview with Philip Schlesinger conducted by and with an introduction and commentary by Jan Strycharz

The Conflicted Assumptions of Modern Constitutional Law

Contribution to Symposium - The Nature of Judicial Authority: A Reflection on Philip Hamburger\u27s Law and Judicial Dut

The sustainable debts of Philip II: A reconstruction of Castile's fiscal position, 1566-1596

The defaults of Philip II have attained mythical status as the origin of sovereign debt crises. We reassess the fiscal position of Habsburg Castile, deriving comprehensive estimates of revenue, debt, and expenditure from new archival data. The king’s debts were sustainable. Primary surpluses were large and rising. Debt-to-revenue ratios remained broadly unchanged during Philip’s reign. Castilian finances in the sixteenth century compare favorably with those of other early modern fiscal states at the height of their imperial ambitions, including Britain. The defaults of Philip II therefore reflected short-term liquidity crises, and were not a sign of unsustainable debts.Debt sustainability, Early modern economic history, Philip II, State borrowing, Debt overhang, tax reform

Melissa Cheng, flute and Debbie Emery, piano, April 19, 2017

This is the concert program of the Melissa Cheng, flute and Debbie Emery, piano performance on Wednesday, April 19, 2017 at 6:30 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Sonata in E minor, BWV 1034 by Johann Sebastian Bach, Flute Sonata No. 3 by Gaetano Donizetti, Flute Sonata No. 3 by Philip Gaubert, Density 21.5 for Solo FLute by Edgard Varèse, Flute Concerto by Jacques Ibert, and It is Well by Philip Bliss, arranged by Carol Foss. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund