Multilevel poetry translation as a problem-solving task

Poems are treated by translators as hierarchical multilevel systems. Here we propose the notion of “multilevel poetry translation” to characterize such cases of poetry translation in terms of selection and rebuilding of a multilevel system of constraints across languages. Different levels of a poem correspond to different sets of components that asymmetrically constrain each other (e. g., grammar, lexicon, syntactic construction, prosody, rhythm, typography, etc.). This perspective allows a poem to be approached as a thinking-tool: an “experimental lab” which submits language to unusual conditions and provides a scenario to observe the emergence of new patterns of semiotic behaviour as a result. We describe this operation as a problem-solving task, and exemplify with Augusto de Campos’ Portuguese translation of John Donne’s poem “The Expiration.

The closet non-Gaussianity of anisotropic Gaussian fluctuations

In this paper we explore the connection between anisotropic Gaussian fluctuations and isotropic non-Gaussian fluctuations. We first set up a large angle framework for characterizing non-Gaussian fluctuations: large angle non-Gaussian spectra. We then consider anisotropic Gaussian fluctuations in two different situations. Firstly we look at anisotropic space-times and propose a prescription for superimposed Gaussian fluctuations; we argue against accidental symmetry in the fluctuations and that therefore the fluctuations should be anisotropic. We show how these fluctuations display previously known non-Gaussian effects both in the angular power spectrum and in non-Gaussian spectra. Secondly we consider the anisotropic Grischuk-Zel'dovich effect. We construct a flat space time with anisotropic, non-trivial topology and show how Gaussian fluctuations in such a space-time look non-Gaussian. In particular we show how non-Gaussian spectra may probe superhorizon anisotropy

Iconic semiosis and representational efficiency in the London Underground Diagram

The icon is the type of sign connected to efficient representational features, and its manipulation reveals more information about its object. The London Underground Diagram (LUD) is an iconic artifact and a well-known example of representational efficiency, having been copied by urban transportation systems worldwide. This paper investigates the efficiency of the LUD in the light of different conceptions of iconicity. We stress that a specialized representation is an icon of the formal structure of the problem for which it has been specialized. By embedding such rules of action and behavior, the icon acts as a semiotic artifact distributing cognitive effort and participating in niche construction

Intersemiotic translation and transformational creativity

In this article we approach a case of intersemiotic translation as a paradigmatic example of Boden’s ‘transformational creativity’ category. To develop our argument, we consider Boden’s fundamental notion of ‘conceptual space’ as a regular pattern of semiotic action, or ‘habit’ (sensu Peirce). We exemplify with Gertrude Stein’s intersemiotic translation of Cézanne and Picasso’s proto-cubist and cubist paintings. The results of Stein’s IT transform the conceptual space of modern literature, constraining it towards new patterns of semiosis. Our association of Boden’s framework to describe a cognitive creative phenomenon with a philosophically robust theory of meaning results in a cognitive semiotic account of IT

THE INFLUENCE OF SEX AND ANTHROPOMETRIC PARAMETERS ON THE PARTIAL AND TOTAL VELOCITlES OF PORTUGUESE TOP SWIMMERS

This work studies the variation of some performance indicators - the relative contributions of partial velocities on total speed, the increase of speed induced by the action of lower limbs and the coordination degree of the action of both upper and lower limbs, in order to achieve maximum speed - on Portuguese top swimmers, in the four competitive strokes. The performance indicators were analyzed as functions of the sex of the swimmers and of selected anthropometric parameters (lengths, frontal areas and cross sectional areas of body segments). Twenty eight swimmers, fourteen of each sex, representing one of the best Portuguese competitive teams, were submitted to a standard test situation and to a photographic procedure. Their best times, velocities and somatic characteristics were thereafter determined. 'T' tests and analysis of variance were computed to account for differences in the performance indicators, between male and female swimmers. Anthropometric and performance variables were correlated inside each group. The values of 'T' and 'F' showed significant differences between average scores of male and female groups (