Re-imagining Crisis Reporting : Professional ideology of journalists and citizen eyewitness images

This study, based on interviews with journalists representing major news organizations in Finland and Sweden, explores how the professional ideology of journalists is shaped by the international trend of citizen witnessing. Citizen-created photographs and videos that have become a routine feature of mainstream news coverage are approached as a potential force of change that transforms professional imaginaries of journalism vis-a-vis crisis events. From journalists’ lines of thought three interpretative repertoires were identified: resistance, resignation and renewal. Our results hint at a rethinking of the professional norms and roles of journalists.Peer reviewe

Talking alone : Reality TV, emotions and authenticity

This article examines reality TV as an illustration of contemporary confessional culture in which the key attraction is the disclosure of true emotions. This article hopes to contribute to the understanding of the production of self-disclosure through a formal analysis of international and domestic dating, adventure and lifestyle-oriented reality shows broadcast on Finnish television between 2002 and 2004. The diverse programmes verify that reality TV shows capitalize on a variety of talk situations within one programme, but it is the monologue that is used as a truth-sign of direct access to the authentic. We also suggest that the power of monologue in the reality genre promotes the transformation of television from a mass medium to first-person medium addressing masses of individuals.Peer reviewe

Redrawing Boundaries: WITNESS and the Politics of Citizen Videos

This article engages with several pressing issues revolving around ‘citizen witnessing’, with specific reference to the human rights advocacy group, WITNESS. In the course of tracing WITNESS’ development over the past two decades, it offers an evaluative assessment of the challenges its members have faced in promoting a grassroots, citizen-centred approach to video reportage. More specifically, this advocacy is informed by an ethical commitment to advancing human rights causes by equipping citizens in crisis situations with cameras, and the training to use them, so that they might bear witness to the plight of others. In so doing, this article argues, WITNESS offers a tactical reformulation of the guiding tenets of peace journalism, one with considerable potential for recasting anew its strategic priorities

Re-imagining human rights photography: Ariella Azoulays intervention

Gormley and Allan focus on several pertinent theoretical contributions made by Ariella Azoulay that invite a radical rethinking of familiar assumptions regarding human rights photography. Having established a conceptual basis, they proceed to analyse several examples of photojournalists attempting to ‘activate’ viewers by inviting them to co-create photographic narratives via methods of hypertext and online archival interaction, and of International Non Governmental Organisations (INGOs) working to create projects which ‘speak’ to viewers by involving the children they seek to represent in the production of photography. It is argued that in taking up Azoulay’s call to rethink public relationships to human rights imagery, these projects represent progressive steps towards addressing the multifarious inequalities at stake. At the same time, however, realising this potential depends on making good the promise of rendering visible the normative ideals of human rights

Cultural otherness and disaster news: the influence of western discourses on Japan in US and UK news coverage of the 2011 Great East Japan Disaster

The Great East Japan Disaster of 2011 provides an important case study to evaluate how western media cover Japan. Employing a critical discourse analysis of coverage in The New York Times, The Guardian and The Observer this article seeks to examine how Japan and the disaster-affected communities of Tohoku were represented through the context of this disaster. The analysis revealed the presence of a cultural framework, enacted during the response phase of the disaster news cycle to explain how people in Japan were coping in the aftermath of the disaster, which was premised on a discourse of cultural otherness. The textual elements that underwrote this discourse included a tendency to draw on stereotypes and in the way culture was employed to provide context to individual stories. The analysis also acknowledges how forms of bias circulated through other discourses, in particular when covering the nuclear crisis at Fukushima. The article argues that this discourse of cultural otherness is, in part, attributable to the features of disaster journalism, rather than a lack of familiarity on the part of journalists with the cultural context