Bechuanaland

Attributed to Sir Thomas Upington. Also attributed to J.M. Orpen. Source: A South African bibliography to the year 1925, v. 4, p. 589The original document was digitized with financial support from Media24.by a Member of the Cape Legislaturehttp://explore.up.ac.za/record=b173015

The Archaeology of Rock Art and Western Philosophy

The article aims to excavate some layers of Western philosophy in order to see how far Western thinkers can illuminate aspects of prehistoric rock art. It will focus on David Lewis-Williams’s neuropsychological and shamanistic theory of San and prehistoric rock art, attempting to supplement his emphasis on states of consciousness with a focus on volition. The article thereby aims to theorise, in metaphysical terms, what the shamans may have been attempting to do in their trance dances and rock art. Just as Lewis-Williams argues that the traditional archaeological focus on intellect, instrumental rationality and alert consciousness cannot do full justice to an understanding of important aspects of prehistoric human culture and behaviour, particularly their art, so this article purposes to show the importance of volition in this respect. Implicit in this article, therefore, is a critique of the rationalism of the mainstream Western philosophical tradition. The excavation will thus begin with a consideration of the Platonic bedrock of Western philosophy – emphasising Plato’s archaic spiritualism – before moving on to Nietzsche’s recent followers, and then to a consideration of Nietzsche and Schopenhauer. It will be argued that these two philosophers of the will can helpfully illuminate certain aspects of shamanistic trance dances and rock art.English Studie