The Gods of My Father Terah’: Abraham the Iconoclast and the Polemics with the Divine Body Traditions in the Apocalypse of Abraham

The first eight chapters of the Apocalypse of Abraham recount the early years of the young hero of the faith who is depicted as a fighter against the idolatrous practices of his father Terah. The conceptual developments found in this section of the work, especially in the depictions of the idolatrous statues, seem to play an important role in the work\u27s overall retraction of the anthropomorphic understanding of the deity. In the depictions of the idol Bar-Eshath (`the Son of Fire\u27) and some other human-like figures, whose features are vividly reminiscent of the familiar attributes of the anthropomorphic portrayals of the deity in Ezekiel and some other biblical and pseudepigraphical accounts, one can detect subtle polemics with the divine body traditions. This article investigates these conceptual developments in the Apocalypse of Abraham and seeks to understand their place in the larger anti-corporeal ideology of the Slavonic pseudepigraphon

Glorification through Fear in \u3cem\u3e2 Enoch\u3c/em\u3e

This article explores the imagery of fear found in 2 Enoch and its significance for the glorious transformations that Enoch undergoes during his heavenly journey. This transition from the fallen human form to the state of the celestial citizen, achieved through fear, evokes some protological allusions, namely, the protoplasts\u27 fear in the Garden of Eden after their fall. This article argues that the fear of the visionary thus serves as an important prerequisite for the reversal of the fallen nature of humanity and as the first step towards the restoration of its nature to the prelapsarian state