The Black Arts Movement Reprise: Television and Black Art in the 21st Century

Beginning in the late 1960s, the Black Arts Movement grew as the cultural wing of the Black Power Movement. It was represented by a rich cross section of artistic work, often forged by young urban artists in genres as diverse as music, dance, visual arts, literature and theatre. No aesthetic was unaffected by inflections of this new black consciousness. This article explores the ways in which, a half-century after the Black Arts Movement, African Americans in television have cultivated an aesthetic and politics that resonate with the core thrust of the Black Arts Movement, one that sets black people in the center of their own cultural and political narratives, and inextricably bound to the wider movements of social justice in black communities

History, power, and electricity: American popular magazine accounts of electroconvulsive therapy, 1940–2005

Electroconvulsive therapy (ECT) is a psychiatric treatment that has been in use in the United States since the 1940s. During the whole of its existence, it has been extensively discussed and debated within American popular magazines. While initial reports of the treatment highlighted its benefits to patients, accounts by the 1970s and 1980s were increasingly polarized. This article analyzes the popular accounts over time, particularly the ways in which the debates over ECT have revolved around different interpretations of ECT's history and its power dynamics. © 2008Wiley Periodicals, Inc.Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/57903/1/20283_ftp.pd

The Black Arts Movement Reprise: Television and Black Art in the 21st Century

Beginning in the late 1960s, the Black Arts Movement grew as the cultural wing of the Black Power Movement. It was represented by a rich cross section of artistic work, often forged by young urban artists in genres as diverse as music, dance, visual arts, literature and theatre. No aesthetic was unaffected by inflections of this new black consciousness. This article explores the ways in which, a half-century after the Black Arts Movement, African Americans in television have cultivated an aesthetic and politics that resonate with the core thrust of the Black Arts Movement, one that sets black people in the center of their own cultural and political narratives, and inextricably bound to the wider movements of social justice in black communities