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Toward an ecological aesthetics: music as emergence
In this article we intend to suggest some ecological based principles
to support the possibility of develop an ecological aesthetics. We consider that
an ecological aesthetics is founded in concepts as “direct perception”,
“acquisition of affordances and invariants”, “embodied embedded
perception” and so on. Here we will purpose that can be possible explain
especially soundscape music perception in terms of direct perception, working
with perception of first hand (in a Gibsonian sense). We will present notions
as embedded sound, detection of sonic affordances and invariants, and at the
end we purpose an experience with perception/action paradigm to make
soundscape music as emergence of a self-organized system
Toward an ecological conception of timbre
This paper is part of a series in which we had worked in the last 6 months, and, specifically, intend to investigate the notion of timbre through the ecological perspective proposed by James Gibson in his Theory of Direct Perception. First of all, we discussed the traditional approach to timbre, mainly as developed in acoustics and psychoacoustics. Later, we proposed a new conception of timbre that was born in concepts of ecological approach.
The ecological approach to perception proposed by Gibson (1966, 1979) presupposes a level of analysis of perceptual stimulated that includes, but is quite broader than the usual physical aspect. Gibson suggests as focus the relationship between the perceiver and his environment. At the core of this approach, is the notion of affordances, invariant combinations of properties at the ecological level, taken with reference to the anatomy and action systems of species or individual, and also with reference to its biological and social needs. Objects and events are understood as relates to a perceiving organism by the meaning of structured information, thus affording possibilities of action by the organism.
Event perception aims at identifying properties of events to specify changes of the environment that are relevant to the organism. The perception of form is understood as a special instance of event perception, which is the identity of an object depends on the nature of the events in which is involved and what remains invariant over time. From this perspective, perception is not in any sense created by the brain, but is a part of the world where information can be found. Consequently, an ecological approach represents a form of direct realism that opposes the indirect realist based on predominant approaches to perception borrowed from psychoacoustics and computational approach
The effect of growth hormone on the growth of the tibia/fibula complex and femurs of hypophysectomized rats after unilateral limb denervation
Thesis (M.Sc.D.)--Boston University School of Graduate Dentistry, 1972 (Orthodontics)Bibliography included
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