SUEÑO EN LA POÉTICA DE F.M. DOSTOEVSKY Y A.A. KONDRATIEV

The article analyzes the poetics of F.M. Dostoevsky and A. Kondratiev, a symbolist writer of the early 20th century. The object of the research is the two works “The Dream of a Ridiculous Man” by Dostoevsky and the novel “Dreams” by Kondratiev. A great deal of attention is paid to dream as a literary device and the spatial movements of heroes who receive sacred knowledge through sleep and are attached to metaphysical reality. Both writers in the work of reality is closely connected with the space, and this determines the nature of spatial models in poetics. Sleep is equal to temporary death and allows the main characters to go beyond the ordinary, profane. The article used the typological method and folklore commenting. It draws parallels with Eastern philosophy, where there is a unity of man and nature, man and the cosmos.El artículo analiza las poéticas de F.M. Dostoievski y A. Kondratiev, un escritor simbolista de principios del siglo XX. El objeto de la investigación son los dos trabajos "El sueño de un hombre ridículo" de Dostoievski y la novela "Sueños" de Kondratiev. Se presta mucha atención al sueño como un dispositivo literario y los movimientos espaciales de los héroes que reciben conocimiento sagrado a través del sueño y están apegados a la realidad metafísica. Ambos escritores en el trabajo de la realidad están estrechamente relacionados con el espacio, y esto determina la naturaleza de los modelos espaciales en la poética. Dormir es igual a la muerte temporal y permite que los personajes principales vayan más allá de lo ordinario, lo profano. El artículo utiliza el método tipológico y el comentario folclórico. Traza paralelos con la filosofía oriental, donde hay una unidad de hombre y naturaleza, hombre y cosmo

Característica do estilo individual de Vasily Vasilyevich Rozanov

The present article analyzes the individual style of the famous Russian philosopher, writer, prose writer, and journalist, Vasily Vasilyevich Rozanov. It is proved that the writer's idiostyle is unique in Russian literature of the late 19th and early 20th centuries. The formation of an individual style took place in three stages. At the first stage, the philosophical treatise “On Understanding” was created, in which the categories of knowledge, wisdom, etc. were subjected to philosophical analysis. At the second stage, Rozanov’s individual style, the critic, was formed. In this period, the individual style is characterized by inconsistency. At the third stage, Rozanov’s individual style is formed, a prose writer, the key characteristics of whose style were unsystematic, contradictory and antinomic.El presente artículo describe el estilo individual de la famosa rusa, escritor, prose escritor, y periodista, Vasily Vasilyevich Rozanov. Se trata de que el escritor de los idiostyle es único en los ríos de los Estados Unidos y de los últimos 20 años. La formación de un estilo individual tuvo lugar en tres etapas. En la primera etapa, se creó la filosofía táctica "On Understanding" en las categorías de conocimiento, sabiduría, etc. se han inscrito en el análisis filosófico. En la segunda etapa, Rozanov el estilo individual, la crítica, fue formada. En este período, el estilo individual se considera inconsistencia. En la tercera etapa, Rozanov's individual estilo se ha formado, la prose de escritor, la clave de su estilo han sido unsystematic, contradictoria y antinomic.O presente artigo analisa o estilo individual do famoso filósofo, escritor, escritor de prosa e jornalista russo Vasily Vasilyevich Rozanov. Está provado que o idiostilo do escritor é único na literatura russa do final do século XIX e início do século XX. A formação de um estilo individual ocorreu em três etapas. No primeiro estágio, foi criado o tratado filosófico "On Understanding", no qual as categorias de conhecimento, sabedoria, etc. foram submetidos à análise filosófica. Na segunda etapa, o estilo individual de Rozanov, o crítico, foi formado. Nesse período, o estilo individual é caracterizado por inconsistência. No terceiro estágio, formou-se o estilo individual de Rozanov, um escritor de prosa cujas característicaschave de cujo estilo eram não sistemáticas, contraditórias e antinômicas

Using the folklore and poetry by Sergei Yesenin in Russian as a foreign language lessons: an online class

Object of the article: Russian as a foreign language classes. Subject of the article: the method of creating an artificial language environment in classes with students from Asia and Africa who study Russian as a foreign language. Material of the article: an online experiment on the use of materials of Russian folklore and the artistic heritage of the poet of the early XX century Sergei Esenin in classes with foreign students. The purpose of the article is to identify the national axiology in Russian poetry. The purpose of the article is to show the features of the online lesson of Russian as a foreign language. Methodology: holistic hermeneutic analysis of the song on the poet's verses "Above the window the moon" with the involvement of biographical commentary and historical-literary context. The results of the study consist in the development of a methodology for analyzing the text with foreign students, aimed at a holistic perception and understanding of the poetic text