Breaking into the conversation: cultural value and the role of the South African National Arts Festival from apartheid to democracy

The paper examines the value of the South African National Arts Festival (NAF) in the transition to democracy using theories of cultural capital. NAF history from 1974 to 2004 is used to argue that the Festival provided an important arena for the expression of political resistance in the 1980s and, to some degree, continues to do so today. It is concluded that an important part of the value of the arts is their ability to provide a forum for debating the goals and values of society and that individualistic utility theory is not always successful in measuring such social value

Archaeology, Genealogy and Hegemony: a Reply to Mulligan

In ‘An Archaeology of Political Discourse?’ I examined the possibility of, and conditions for, rendering Foucault's archaeological method appropriate for ideologico-political analysis. Shane Mulligan takes issue with three aspects of my account, namely, the application of archaeology to the ideological realm, the translation of concepts, and the issue of political subjectivity. The first part of my reply tackles his initial objection and the next addresses the other two criticisms. </jats:p

A critical psychology of the postcolonial

Of the theoretical resources typically taken as the underlying foundations of critical social psychology, elements, typically, each of Marxism, feminism, psychoanalysis, and Post-Structuralism, one particular mode of critique remains notably absent: postcolonial theory. What might be the most crucial contributions that postcolonial critique can make to the project of critical psychology? One answer is that of a reciprocal forms of critique, the retrieval of a ‘psychopolitics’ in which we not only place the psychological within the register of the political, but - perhaps more challengingly - in which the political is also, strategically, approached through the register of the psychological. What the writings of Fanon and Biko make plain in this connection is the degree to which the narratives and concepts of the social psychological may be reformulated so as to fashion a novel discourse of resistance, one that opens up new avenues for critique for critical psychology, on one hand, and that affords an innovative set of opportunities for the psychological investigation of the vicissitudes of the postcolonial, on the othe