The acoustics of concentric sources and receivers – human voice and hearing applications

One of the most common ways in which we experience environments acoustically is by listening to the reflections of our own voice in a space. By listening to our own voice we adjust its characteristics to suit the task and audience. This is of particular importance in critical voice tasks such as actors or singers on a stage with no additional electroacoustic or other amplification (e.g. in ear monitors, loudspeakers, etc.). Despite the usualness of this situation, there are very few acoustic measurements aimed to quantify it and even fewer that address the problem of having a source and receiver that are very closely located. The aim of this thesis is to introduce new measurement transducers and methods that quantify correctly this situation. This is achieved by analysing the characteristics of the human as a source, a receiver and their interaction in close proximity when placed in acoustical environments. The characteristics of the human voice and human ear are analysed in this thesis in a similar manner as a loudspeaker or microphone would be analysed. This provides the basis for further analysis by making them analogous to measurement transducers. These results are then used to explore the consequences of having a source and receiver very closely located using acoustic room simulation. Different techniques for processing data using directional transducers in real rooms are introduced. The majority of the data used in this thesis was obtained in rooms used for performance. The final chapters of this thesis include details of the design and construction of a concentric directional transducer, where an array of microphones and loudspeakers occupy the same structure. Finally, sample measurements with this transducer are presented