Farewell Ursula Le Guin – the One who walked away from Omelas

[Extract] Author Ursula Kroeber Le Guin has been the subject of critical debate, analysis and discussion for generations. She died this week at the age of 88. Le Guin published her first paid work April in Paris in the September 1962 issue of the magazine Fantastic Stories of the Imagination - and I am the proud owner of an original copy. I am a lifelong Le Guin fan, but also an academic exploring how science fiction is a cultural artefact that acts as a lens on changing attitudes and specific issues of its time. For me, Le Guin hit the sweet spots of her time powerfully and frequently. Le Guin explored what it is to be human, faults and all, and the impact and influence of her work is undeniable in the world of fantasy and science fiction

Hubbard bubble, dianetics trouble: an evaluation of the representations of dianetics and scientology in science fiction magazines from 1949 to 1999

Dianetics was unveiled to the public in the May 1950 edition of Astounding Science Fiction. Dianetics was the brainchild of science fiction author L. Ron Hubbard, and became the foundation for scientology toward the end of the decade. Dianetics was marketed as a “scientific” method for mental improvement—a robust alternative to conventional psychiatry—and was strongly debated in science fiction (sf) magazines. This article follows the trajectory of this cultural phenomenon from 1949 to 1999 as it appeared in this form of popular culture. A proximal reading method was applied to analyze 4,431 magazines, and identified 389 references to dianetics and scientology. References were found in advertising, reader letters, stories, feature articles, and editorials. Significant fluctuations in the prominence and perception of dianetics became clearly visible in the source material across a broad spectrum of content. Negative criticism was present from the outset, and based on logical and scientific arguments. This was countered by obfuscation, or attacks on the authors of these critiques. The followers and promoters of dianetics did not provide scientifically rigorous proof of their claims, and by the mid-1980s, dianetics and scientology were no longer serious topics in the magazines but had been added to other fads and fallacies of sf history. This article demonstrates the effectiveness of a digital humanities proximal reading method to underpin objective classification and analysis of this culturally significant phenomenon

Stephen Hawking: blending science with science fiction

Theoretical physicist Stephen Hawking died recently at the age of 76. He was a man who had a significant influence on the way we view science today, noted for his work with Sir Roger Penrose on the singularities at the origins and future of the universe, starting with the Big Bang, and ending in black holes. His work had significant implications for the search for a unified theory that would link Einstein’s general relativity with quantum mechanics, and discussions that originated from his work continue to reverberate in the field of theoretical physics. Beyond doing an excellent job of raising the public profile of black holes, Hawking also wrote and spoke publicly on issues beyond his research. He expressed concerns about the possible impacts of artificial intelligence, and the questionable wisdom of attracting alien visitors. Was he presenting new concerns? Or were these ideas already deeply rooted in prior science, or envisaged in fiction? The answer lies in the complex relationship between science and science fiction

Science fiction helps us deal with science fact: a lesson from Terminator’s killer robots

Terminator’s killer robots can help in the real debate on lethal autonomous weapons

Science fictions, cultural facts: a digital humanities approach to a popular literature

Human culture has a necessary influence on the content of popular literature – if only because the interests of a contemporary public determine material success or failure. Authors are products of their time, and popular writers will tend to reflect the cultural expectations and values of their readership. It follows that we should be able to find the imprint of human culture in popular literature if we employ suitable methods. Science fiction (SF) is well suited for such investigation, as it is open in scope and subject, and less restricted by content conventions than other genres. As a publishing medium, magazines, specifically, are valuable literary artefacts of popular culture. They contain fiction, editorials, advertising, reader letters, and features on matters of contemporary importance. These all contribute to build an understanding of their cultural environment. In this thesis, I begin by assessing the relevance of SF as a relevant source of popular insights by tasking SF magazine content as a lens to focus on human culture, analysing the genre and its value in contemporary research and society. I review the uses of SF in academic literature, and analyse public surveys to identify the breadth and relevance of its popular appeal. I describe the phenomenological experience of developing a hybrid digital and traditional methodology from the perspective of someone with no history of digital research in the humanities and employ a series of case studies which test the validity of the approach. The case studies provide insights into the cultural history of two topics: the foundations and subsequent development of Scientology; and the changing representations of tropical environments and peoples. An aim of this study is to devise and demonstrate methodology that respects the human experience of literature, but also integrates the value of employing technological approaches that expand the scope of investigation. The primary sources comprise more than 4,000 individual magazine issues – perhaps thirty percent of issues of magazines dedicated to SF in the twentieth century – and complete, or near complete runs of major titles. The value to the research process of having a significant number of sources is to counter the bias contained in the phenomenological bracket of the researcher. The expectations researchers are influenced by contemporary culture, and personal preferences, and this is likely to affect the perceived significance of specific historic texts. This selection bias could lead to the rejection of content that contains relevant insights. To address these issues, I devised a digital humanities methodology for selecting primary sources, and to complement discussion of the results. The results of applying the methodology strongly support the proposal that SF can provide a valuable indicator of cultural values, preferences and expectations – being widespread and commonly appreciated by contemporary audiences. SF is confirmed to be a valuable and relevant source of information on the evolving history of human cultural interests

Who reads science fiction and fantasy, and how do they feel about science? Preliminary findings from an online survey

This article describes findings from an online survey Science Fiction & Fantasy: Your Experiences, launched in November 2015 and closed 1 year later, which received 909 unique responses. The survey identified characteristics of readers of science fiction, their knowledge and experiences of works, authors, and subgenres. It examined their attitudes to science and science fiction and their judgment of the similarity between real and fictional scientists. Contrary to declining reading habits, the science fiction and fantasy audience read consistently high volumes of books, as well as watching genre TV and film. We discovered that reading science fiction and fantasy may have a role in sustained, and cognitively beneficial, adoption of reading by young people and is complementary to other forms of consumption, rather than competitive. Science fiction was also found to be an important influence on the perception and acceptance of science by the public. Implications of this are that science fiction and fantasy are now a normal part of life for a wide range of people, and science fiction has a positive influence on popular interpretation, acceptance, and support of scientific endeavors. These results support earlier work that suggests science fiction is a valuable research tool for public engagement with science

Human culture and science fiction: a review of the literature, 1980-2016

This article aimed to uncover the foci, themes, and findings of research literature that utilized science fiction content or concepts to describe and illustrate human culture. To capture a representative range of research, the PRISMA process was applied to database searches across a range of disciplines, not restricted to science fiction journals. Findings revealed that science fiction literature has been used in research across disciplines including theology, semantics, natural sciences, and education. Two characteristics of the use of science fiction in research became evident in the review: its role as a tool for advocacy and cultural insight and its effectiveness as an aid to learning and teaching. An unclear boundary between real science and science in the public imagination is problematic for research success, but the purposeful integration of fictional representations of science (both natural and social) into the research story has demonstrable benefits. To address the limited application of objective methodologies, adoption of increasingly robust quantitative analysis into research in the fields of literature and culture is recommended. This would assist in bridging the two cultures divide between the humanities and natural sciences

An empirical revision of the definition of science fiction: it is all in the techne...

Researchers employ science fiction and fantasy in public engagement, advocacy, and education as significant sources of insights to identify public interests, inspire public policy, and influence future science. These uses of science fiction as a source that is expected to reflect public interests are undermined if the examples employed by researchers are interpreted differently by the intended audience or beneficiaries of research. We surveyed the public to identify their definitions and discovered a categorization based on clearly defined features. These align with some academic theories but differ from postmodern approaches as the analysis suggests science fiction can be defined categorically. The empirical survey data are consistent and demonstrate an unmistakable distinction between popular definitions of science fiction and fantasy. Our theoretical analysis implies some definitions may be confused by evaluating secondary "fuzzy" characteristics as if they were fundamental features of the genre. We suggest Wittgenstein's family resemblances, between subjects associated with the genre at any specific time, should be interpreted as an ephemeral grouping validated by correlation with enduring core features, rather than definitive. On the basis of the common themes identified from the survey responses and a critique of existing genre models, we suggest the classical concept of techne may best describe the empirical essence of science fiction. Researchers intending to employ science fiction for applications that have an influence in the public realm may wish to consider this when designing their research