The Lantern, 2015-2016

• Ghosts • Going to China • 98% Guaranteed • Constellation/Boulevard • Prayer • The Little One • Burning • The Amber Macaroon • Becoming • Requiem • Construction Site • Thirteen Ways of Looking at a Dragon • Charlie • No Sleep • A Lesson in Physical Education • Statues • Who Can Love a Black Woman? • Apples • Fun Craft • The Door at Midnight • Eve as a Book in the Bible • Boys • Diamond Heart • To Apollo • Joanne and Her July Garden • Option A, 1936 • Young White Girls, Hollow Bodies, and Home • Mama\u27s Stance on Sugar • The Mariana Trench • Hurricane • Part of the Job • Avenue H Blues • Hour of Nones • Send Toilet Paper • Grave Robbing • Wild Turkey • The Creek • Let\u27s Go for a Walk • Deaconess • Border of Love • Your Father, Rumpelstiltskin • Purchasing Poplars • Red Tatters • Sunken • Whispers • Existence • God Took a Cigarette Break with Police Officers • Martian Standoff • In the Headlights • It\u27s a Subtle Thing • Dear Kent • Hanako-san • A Brief Interlude • On Fencing, Gummy Worms, and my Inescapable Fear of Living in the Moment • Stolen Soul • Block • Mortem Mei Fratris • Kalki • Lake Placid • Atom and Eve • The Baerie Queene • Gladston • Soldiers at Gettysburg • Pattern • Foliage • Mass Media • Arrow • Move Out • Wanderers • Riverside Gardenhttps://digitalcommons.ursinus.edu/lantern/1182/thumbnail.jp

Cultural Re-appropriation and the Black Woman’s Ambivalent Relationship With Representations of Her Identity

Although the black community has experienced an untold number of trials in the United States of America, it has demonstrated resilience through adversity. This may be especially true of the women of black communities in this nation. From slave ships to Baldwin Hills, black women have had a fundamental role in cultural appropriation of controlling images or the transformation of hurtful stereotypes into positive affirmations. Time and time again, black women have taken a negative image, such as the “jezebel,” and converted it into a liberated and self-sufficient role model, the independent woman. Yet, this is only one of the many examples of the black woman successfully taking an image imposed by her oppressor and diminishing its power over her. This paper examines black women’s appropriation of oppressive stereotypes as a means of coping with adversity. This project will give insight into the complex psychological layers of being a black woman in the United States and how her experience has been shaped by centuries of white supremacy. This project has resulted in a historically-based paper shaped by research into seminal books, films, television shows, and other sources of racist stereotypes of the black community and re-appropriated identities