Archive of Darkness:William Kentridge's Black Box/Chambre Noire

Situating itself in histories of cinema and installation art, William Kentridge's Black Box/Chambre Noire (2005) raises questions about screens, exhibition space, site-specificity and spectatorship. Through his timely intervention in a debate on Germany’s colonial past, Kentridge’s postcolonial art has contributed to the recognition and remembrance of a forgotten, colonial genocide. This article argues that, by transposing his signature technique of drawings for projection onto a new set of media, Kentridge explores how and what we can know through cinematic projection in the white cube. In particular, his metaphor of the illuminated shadow enables him to animate archival fragments as shadows and silhouettes. By creating a multi-directional archive, Black Box enables an affective engagement with the spectres of colonialism and provides a forum for the calibration of moral questions around reparation, reconciliation and forgiveness

Contextualising Apartheid at the End of Empire: Repression, ‘Development’ and the Bantustans

This article examines the global dynamics of late colonialism and how these informed South African apartheid. More specifically, it locates the programmes of mass relocation and bantustan ‘self-government’ that characterised apartheid after 1959 in relation to three key dimensions. Firstly, the article explores the global circulation of idioms of ‘development’ and trusteeship in the first half of the twentieth century and its significance in shaping segregationist policy; secondly, it situates bantustan ‘selfgovernment’ in relation to the history of decolonisation and the partitions and federations that emerged as late colonial solutions; and, thirdly, it locates the tightening of rural village planning in the bantustans after 1960 in relation to the elaboration of anti-colonial liberation struggles, repressive southern African settler politics and the Cold War. It argues that, far from developing policies that were at odds with the global ‘wind of change’, South African apartheid during the 1960s and 1970s reflected much that was characteristic about late colonial strategy

Armed struggle and democracy : the case of South Africa

The impact of the concept(s) of armed struggle for the notion(s) of democracy in South(ern) Africa is the focus of this paper. Originally submitted to a conference on '(Re-) Conceptualising Democracy and Liberation in Southern Africa', held in Windhoek/Namibia during July 2002, it argues from the point of departure of the personal involvement of the author in the issues raised. The author was part of a group which criticised the strategy of armed struggle in the ANC. For the articulation of this dissenting view they were suspended from the movement in 1979 and finally expelled in 1985. With this paper he inspires a debate, which can claim relevance for current issues of democracy in South Africa and the Southern African region more generally. Given the degree of personal involvement of its author, this analysis is contemporary history based on personal insights, and provides arguments for a necessary discussion.CONTENTS -- PART I: A Strategy of Rural Guerrillaism? 1961–75 -- PART II: What Strategy for the Armed Struggle? 1976–8