Islands in a sea of change? Continuity and abandonment in Dark Age Corinth and Thessaloniki

Abstract In the sixth century after Christ, the Greek cities of Corinth and Thessaloniki were both still centers of imperial Roman and nascent Christian administrations, ancient population centers protected by high fortification walls. But much of scholarship continues to portray Thessaloniki as a veritable island of civilization during the next two "dark" centuries, with cities of southern Greece like Corinth virtually abandoned after earthquakes, plague, and barbarian invasion. Yet recently historians are reading the few literary sources much more critically, and excavation is also slowly beginning to fill in this gap. Thus long-known evidence of urban continuity in Thessaloniki along with the fruits of some of these methodological advances can begin to provide a new model of Dark Age continuity and abandonment for Corinth and other ancient cities of Byzantine Greece. © 2010 Springer Science+Business Media, LLC

Athenian eye cups in context.

Since the late 1970s, scholars have explored Athenian eye cups within the presumed context of the symposion, privileging a hypothetical Athenian viewer and themes of masking and play. Such emphases, however, neglect chronology and distribution, which reveal the complexity of the pottery trade during the late sixth and the fifth centuries B.C.E. Although many eye cups have been found in Athens—namely on the Acropolis and mainly from late in the series—the majority come from funerary, sanctuary, and domestic contexts to the west and east. Most of the earliest, largest, and highest-quality examples were exported to Etruria, where the symposion as the Athenians knew it did not exist. Workshops and traders were clearly aware of their audiences at home and abroad and shifted production and distribution of vases to suit. The Etruscan consumers of eye cups made conscious choices regarding their purchase and use. Tomb assemblages from Vulci and elsewhere reveal their multivalent significance: they are emblematic of banqueting in life and death, apotropaic entities, likely with ritual uses. Rather than being signs of hellenization in a foreign culture, Athenian eye cups—like all Greek vases—were brought into Etruria, then integrated, manipulated, and even transformed to suit local needs and beliefs