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    The Mainstream Outsider: News Media Portrayals of Presidential Candidate Mitt Romney and His Mormonism, 2006-2008

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    This study examines how news media framed former Massachusetts Gov. Mitt Romney and his Mormonism during his unsuccessful quest for the 2008 Republican presidential nomination. The study's central finding is that, in the aggregate, news accounts framed Mormonism as outside the American religious and cultural mainstream. This framing emerged as part of campaign's "horse-race" coverage, which focused on who was ahead in the nomination race, who was behind and why. That coverage naturally highlighted aspects of Mormonism that caused Romney electoral problems. Journalists zeroed in on the church's history of polygamy, on whether the church is a Christian faith and on current church beliefs that may appear outside the mainstream. Basic beliefs that Mormons share with other American faiths, such as helping the poor, were mentioned, but less frequently. Romney himself was framed as a generally mainstream candidate whose central problem was his faith. This dissertation also describes how news media relied heavily on an analogy between Romney's struggle to overcome his "Mormon problem" and presidential candidate John F. Kennedy's struggle to overcome anti-Catholic sentiments in 1960. Implications of these conclusions are discussed for candidates of other minority religions and further research is suggested. The study proposes a "horse-race influence model" that highlights a candidate's weaknesses, providing voters with reasons to vote against a candidate, which is reflected in the next set of horse-race coverage polls. Horse-race coverage, therefore, may create a feedback loop that increasingly harms a candidate's chances. Quantitative findings are based on a content analysis of 205 news articles that appeared in eight prominent American news outlets between January 2006 and Romney's withdrawal from the race in February 2008. Articles in the sample mentioned Mormonism at least four times and Romney at least once. The content analysis obtained a mean intercoder reliability of .84

    THE POETRY OF RONALD DUNCAN

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    Merged with duplicate record 10026.1/669 on 27.02.2017 by CS (TIS)This thesis is the first sustained critical analysis of the poetry of Ronald Duncan (1914-1982). As this is the first study of Duncan's poetry, a substantial part is exegesis and follows a chronological pattern. Duncan was a man of letters who wrote poetry, plays, librettos, songs, short stories, journals, autobiographies, biographies and novels. He was strongly influenced by T. S. Eliot and Ezra Pound. Their poetics and personal advice enabled Duncan to produce a series of publications that pursued some basic modernist tenets, such as an adherence to a European poetic tradition and the belief that poetry could induce cultural renewal, via an overtly subjectivised perspective. A chapter of this thesis has been allocated for each of Duncan's poetry publications. The introduction explores the personal and ideological importance of Pound and Eliot for Duncan; Pound's input into Duncan's magazine Townsman: and how Eliot, as Duncan's publisher, was able to offer a significant platform for his poetry. It also examines the position of the writer in relation to his writing, to show how the subjectivity of modernist authors compared with Duncan's belief that authorial presence was an essential part of any genuine poetic endeavour. Duncan's poetic career spanned almost forty years, from 1939 to 1977. His first publication, Postcards to Pulcinella (c1939), exemplifies his early experimentation with form. His next, and first Faber publication, The Mongrel (1950), is notable for its diversity of form and theme, and develops a greater awareness of European poetic diversity than is present in Postcards to Pulcinella. The Solitudes (1960) introduces a reworking of love poem sequences, which is developed in Unpopular Poems (1969) and For The Few (1977), and concentrates increasingly on lost love and personal grief. Between Unpopular Poems and For the Few Duncan published the five parts of his epic narrative poem Man (1970-4). This major work charts the history of the universe and human development, and blends poetic with scientific discourse. Man exemplifies, above all else, Duncan's on-going belief that all things exist only in his conscious understanding. The relationship between Duncan, the writing process and the resultant poetry, is a recurrent theme throughout the thesis. By drawing a distinction between author (writing subject) and the written representation of that author in the poetry (written subject) it explores the relationship between Duncan's own consciousness, the world it perceives, and the linguistic structures he uses in communicating their conjunction. Each of Duncan's poetry publications develops themes of love, sex, nature, human nature, Christianity and subjective isolation. Employing a variety of verse forms and tropes these themes are teased out book by book, but conclude with his belief that conscious expansion and cultural development through poetry was a futile, but nevertheless necessary, endeavour.The Ronald Duncan Trus

    The Impact of Contaminated RR Lyrae/Globular Cluster Photometry on the Distance Scale

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    RR Lyrae variables and the stellar constituents of globular clusters are employed to establish the cosmic distance scale and age of the universe. However, photometry for RR Lyrae variables in the globular clusters M3, M15, M54, M92, NGC2419, and NGC6441 exhibit a dependence on the clustercentric distance. For example, variables and stars positioned near the crowded high-surface brightness cores of the clusters may suffer from photometric contamination, which invariably affects a suite of inferred parameters (e.g., distance, color excess, absolute magnitude, etc.). The impetus for this study is to mitigate the propagation of systematic uncertainties by increasing awareness of the pernicious impact of contaminated and radial-dependent photometry.Comment: To appear in ApJ
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