Media Transformation: The Transfer of Media Characteristics among Media

This is a methodical study of the material and mental limits and possibilities of transferring information and media traits among dissimilar media. Elleström proposes a model for pinpointing the most vital conceptual entities and stages in intermedial transfers involving different media types such as speech, writing, music, films, and websites

What Have They Done to My Song? : Recycled Language in Monika Fagerholm's The American Girl

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A Recalibration of Theatre’s Hypermediality

open access bookThe unique capacity of theatre, as often proposed, is that it allows all media hosted within it to manifest themselves in their own particular forms, expressed by Claudia Georgi as ‘its ability to integrate other media without affecting their respective materiality and mediality’ (2014: 46), whilst simultaneously representing them as theatrical signifiers. This property of theatre has led to the 21st century sobriquet hypermedium, capable of incorporating many other media, as notably elucidated in Intermediality in Theatre and Performance (2006). In the introductory chapter to that text, the editors Freda Chapple and Chiel Kattenbelt stated that ‘theatre has become a hypermedium and home to all’, within which all media can be sited and remediated to create ‘profusions of texts, inter-texts, inter-media and space in between.’ (24) However, it must be noted that Elleström is not persuaded on this specific argument of theatre as a hypermedium. In 2010, and again in the introductory chapter to this text, he wrote, citing Chapple and Kattenbelt, that theatre is ‘definitely extremely multimodal and it integrates many basic and qualified media, but it is an overstatement to say that ‘theatre is a hypermedium that incorporates all arts and media.’ (45) This chapter pursues Elleström’s perspective and seeks a more nuanced analysis of the interactions between multiple basic, technical and qualified media as they are represented within theatre. My contention is that alongside the significance of material mobility, there are specific temporal, spatial and sensorial modes which are fundamental in defining the mechanics and the potential of the hypermedium. This interplay of modalities creates new forms of hybrid signification through particular dialogues of immediacy and hypermediacy, participant authorship, angles of mediation and angles of exclusivity, transporting theatre into new and sometimes challenging relationships with other assertive qualified media, notably what I refer to as the architecture of commerce

Estimation of the effective orientation of the SHG source in primary cortical neurons

In this paper we provide, for the first time to our knowledge, the effective orientation of the SHG source in cultured cortical neuronal processes in vitro. This is done by the use of the polarization sensitive second harmonic generation (PSHG) imaging microscopy technique. By performing a pixel-level resolution analysis we found that the SHG dipole source has a distribution of angles centered at θe =33.96°, with a bandwidth of ∆θe = 12.85°. This orientation can be related with the molecular geometry of the tubulin heterodimmer contained in microtubules.This work is supported by the Generalitat de Catalunya and by the Spanish government grant TEC2006-12654. Authors also acknowledge The Centre for Innovacio i Desenvolupament Empresarial - CIDEM (RDITSCON07-1-0006), Grupo Ferrer and the European Regional Development Fund. This research has been partially supported by Fundació Cellex Barcelona.Peer reviewe