Mobility assemblages and lines of flight in women’s narratives of forced displacement

In this paper I take the notion of the mobility assemblage as a theoretical lens through which I consider entanglements between refugee and migrant women on the move, intense experiences of gendered labour, and affective encounters in crossing borders and following lines of flight. The analysis revolves around the life-story of a young refugee woman, who recounts her experiences of travelling to Greece. What emerges from her narrative is a whirl of lines of flight that deterritorialize her from patriarchal regimes, harsh border practices, labour exploitation and the pain of separation on a plane of remaking her present and re-imagining her future

Rethinking the Ambiguities of Abstraction in the Anthropocene

The ambiguities of abstraction were at the heart of critical approaches to the problems of modernity. Abstraction, so fundamental to the modernist episteme, was seen to have alienated humanity from itself and from its entangled relations with its environment, constituting a fundamental rift between the subject and the world. This article analyses how the critique of the modernist episteme has increasingly shifted under the auspices of the Anthropocene. Rather than seeking to overcome the ambiguities of abstraction and return the human to the world, approaches that seek to affirm the Anthropocene have emphasised that modernist thought did not take abstraction far enough. Rather than abstraction being problematic for contemporary thought, abstraction is seen to be a facet of the world in its lively, partial and contingent interaction. This article is organised in three sections. The first section introduces the problematic of abstraction in the Anthropocene, highlighting that critical theory approaches tend to see the Anthropocene within a discourse of modernist critique. The second section draws out the importance of understanding the distinct mode of contemporary affirmation, which rather than seeking to return man to the world, emphasises the impossibility of finding meaning in the world. It is this inverting of critical understandings that enables abstraction to be seen positively rather than problematically. The final section expands on this point to consider how contemporary theoretical approaches articulate the transvaluation of abstraction as the guide to contemporary modes of life