Of Eden and Nazareth : stories to capture the imagination

In pursuit of counter-traditions that have read the Eden narrative without subscribing to the Christian fall–redemption paradigm, this article engages Richard Kearney’s hermeneutical– phenomenological reading of the imagination to explore new avenues for imagining sin and salvation along post-metaphysical lines. The first section provides insights proceeding from an intratextual reading of the Eden narrative. The second section proceeds to incorporate the biblical and rabbinical concept of the yetser to elaborate the reading described above. The section follows Kearney’s reading of the Eden narrative to elicit the imagination along ethical lines as humanity’s passion for the possible. The third section reads the annunciation narrative along these same lines, illustrating how a divine kingdom of justice and love is possibilised by an imagination captured by divine promise and hospitality. By reading these two narratives together through the lense of the imagination, novel ways of rethinking sin and salvation along post-metaphysical lines emerge that portray salvation as human participation in God’s ongoing creation of justice and love, thus enabling the God Who May Be. INTRADISCIPLINARY AND/OR INTERDISCIPLINARY IMPLICATIONS : This article is relevant to the fields of philosophy, philosophy of religion and theology. The narratives of fall and promise, previously read by philosopher Richard Kearney in different contexts and not in relation to one another, are read here from a decidedly theological point of view.The University of Pretoria (postgraduate bursary)http://www.ve.org.zaam2018Dogmatics and Christian Ethic

In The Wake of The Goddesses : Women, culture, and The Biblical Transformation of Pagan Myth

New Yorkxi, 292 p.: biblio; 24 c

David Rudolph. A Jew to the Jews: Jewish Contours of Pauline Flexibility in 1 Corinthians 9:19-23

No abstract is available

Facing the Limits of Fiction: Self-Consciousness in Jewish American Literature

This thesis explores the limits of fictional language by studying the work of Jewish American writer-critics, novelists who significantly engaged with literary criticism, and critics who experimented with the novel or short fiction. These writer-critics all believed in Literature: they believed that literature could effect social change and educate the masses; or they believed in literature as an art-form, one that exposed the myths underlying American society, or that revealed something fundamental about the human condition. Yet it is because they believed so stridently in the concept of Literature that they turned to non-fiction. Writing fiction exposed problems that Literature could not resolve. They describe being haunted by “preoccupations” that they could not exhaust in fiction alone. They apologetically refer to their critical texts as “by-products” of their creative writing. Writer-critics were forced to decide what the limits of fiction were, and they adopted other types of writing to supplement these unexpected gaps in fiction's power. This dissertation contains four chapters and an introduction. The introduction establishes the methodological difficulties in writing about author-critics, and introduces a set of principles to guide the study. Chapter 1 approaches Abraham Cahan's The Rise of David Levinsky (1917). I argue that many of the novel's difficulties result from Cahan's desire to present the way that ideology shades our understanding of reality while minimizing direct narratorial intrusions. Chapter 2 studies how politics affected the work of Mike Gold, Moishe Nadir, and Isaac Bashevis Singer. In all three writers, literature emerges as a kind of ersatz-politics, a space for the dispossessed to imagine the political. In the end, the political novel only reinforces the fictionality. Chapter 3 is a study of Leslie Fiedler's problematic novel, The Second Stone. While critics have seen the novel as a kind of game, I propose reading the novel as an earnest expression of Fiedler's vision of literature as a conversation. Chapter 4 turns to Cynthia Ozick and Susan Sontag. A cumulative reading of their fiction and criticism shows the deep twinning of their fiction and critical thought. For both writers true knowledge comes only through the imagination.Near Eastern Languages and Civilization

Rescue and Jessica

https://stars.library.ucf.edu/diversefamilies/2669/thumbnail.jp