Perceptions of trekking tourism and social and environmental change in Nepal's Himalayas

The Himalayas are among the world’s youngest mountain ranges. In addition to the geologic processes of mountain building and erosion, they are also highly vulnerable to human influenced change, occurring at local, national, regional, and international scales. A photo-elicitation methodology is employed to show how residents perceive those changes from historical perspectives, as well as their current conditions and impacts on their daily lives. Nepal’s Khumbu region has undergone major social and environmental transformations since the 1960s when international trekking first began to influence the area's economy. The current perceptions of Khumbu residents of these changes is assessed through photo-elicitation interviews. Their responses are placed in the historical context of: (i) institutional and political changes, much of which have been driven by national government policies; (ii) social and economic changes, for which the tourism economy has been central; and (iii) environmental changes, reflecting the impacts of resource management and climate change. The mostly positive perceptions of Khumbu residents toward how their region has changed reflects general improvements in the physical and cultural landscapes of the Khumbu over time, as well as its continuing geographic isolation, which has helped to slow the rate of globalization, while also keeping the region a dynamic and popular tourist destination

Spatial Barriers and the Formation of Global Art Cities: The Case of Tokyo

This paper addresses a neglected dimension of global cities research: how the idea of economic concentration, its surplus and consequent global influence can be applied to the art world. The research presented here relates to Tokyo as a well‐known example of a global city, advancing existing understandings of Tokyo from the neglected perspective of the arts. Based on qualitative and quantitative research by the author, including cultural and spatial mapping, interviews, ethnographic observations and visual documents, the findings confirm that the role of space and materiality is overlooked in global cities research. The results demonstrate the active contribution and intervention of spatial patterns in the formation of artistic activities. A number of Tokyo's spatial features have an inhibiting effect that shifts artistic activities underground, creating asymmetries in the constitution of symbolic meanings in the city and a failure to openly stimulate artistic practices. As a consequence, Tokyo's vivid art world remains invisible not only to outsiders but to Tokyo itself