‘La Chartreuse de Parme’ ou la couleur locale reconsidérée

Le terme «couleur locale» est de nos jours relégué d’une façon presque unanime dans le musée des expressions caduques, tombées en désuétude. Ce d’autant plus qu’il est question de l’un de ces concepts «pré-théoriques» qui sont rentrés dans le vocabulaire courant et dont la pseudo-compréhension intuitive brouille les acceptions terminologiques originelles. L’ampleur de l’évolution sémantique que le terme a subie depuis son introduction dans le domaine littéraire dès la fin du XVIIIe siècle, ne..

The International Community Criticism of Croatia from 1995 until 1999

U članku se analiziraju kritike usmjerene prema Republici Hrvatskoj koje su dolazile iz međunarodne zajednice u razdoblju od završetka operacije Oluja 1995. do kraja 1999. Pojam međunarodna zajednica shvaćen je kao paradigmatski okvir unutar kojega se formira stanoviti dominantni narativ. Analizirana su izvješća koja su objavljivale različite institucije: OESS, Human Rights Watch, američki State Department. Uz to, analizirana je arhiva novina New York Times u predmetnom razdoblju kao primjer sukreatora javnog narativa. Članak je podijeljen prema temama kritike koje su uočene u istraženim izvorima: položaj Srba i povrat izbjeglica, ljudska i manjinska prava, medijske slobode, manjkavosti demokracije i provedba Daytonskog sporazuma.The article analyzes the criticism of the international community towards the Republic of Croatia, from the finalization of Operation Storm in 1995 to the end of 1999. The term “international community” refers to a paradigmatic framework, within which a certain dominant narrative is formed. Reports published by various institutions were analyzed: OSCE, Human Rights Watch, and the US State Department. Also, the archive of the New York Times for the same period was analyzed as an example of a public narrative co-creator. The article is divided according to the topics of criticism noted during the research: the position of Serbs and the return of refugees, human and minority rights, freedom of the media, the shortcomings of democracy, and the implementation of the Dayton Agreement

The vogue of the archeofiction in the 19th century: The resurrected past and the interpreted past

Through the concept of archeofictions, this article rethinks the interface between fiction and archaeology in nineteenth-century France. By rejecting conventional categories such as ‘archaeological novel’, the corpus of fictional works under scrutiny is expanded, to encompass lesser-studied authors such as Bibliophile Jacob (Paul Leroux) and Gustave Toudouze, in addition to Gustave Flaubert and Théophile Gautier. Throughout the nineteenth century, archaeology was a discipline-in-the-making, dominated by textual methods, and lacking institutional recognition. The analysis aims to show the ways in which nineteenth-century imaginative literature encapsulated early archaeology's quest for epistemic autonomy and methodological struggles, while embracing the new patterns of thought for framing the past promoted by the nascent discipline. </jats:p