Renegotiating cultural practices as a result of HIV in the eastern region of Malawi

A number of studies have shown that HIV awareness is very high among Malawians and yet infection rates are rising. Local cultural practices have been identified as contributing to this contradictory situation. Using data from 12 focus-group discussions collected in Balaka, Zomba, Machinga and Mangochi, the paper explores the reformulation of nine cultural practices as a preventive measure against HIV. The study reveals that cultural practices that involve sexual acts for completion are mediated through condoms and HIV tests. The study also shows that traditional herbs known for healing ailments are repurposed to symbolise sexual acts. We conclude that the idea of repurposing offers an avenue in which initiation and cleansing rites that involve sexual acts are replaced by other semiotics such as a traditional medicine called mtela. We also conclude that the modifications to cultural practices do not indicate complete abandonment of associated traditions, rather, they constitute the renegotiation of cultural practices and meanings associated with particular rites of passage. Lastly, we propose that a comprehensive prevention programme needs to be part of a wider national HIV-prevention effort combining a women and child rights and empowerment agenda and, critically, lifestyle lessons in a process of cultural renegotiation.IBS

Manifesto for development communication: Nora Quebral and the Los Bantildeos School of Development Communication

How did the discipline and practice of development communication begin? Who were the founders and how were the first experiments implemented? Rejecting the ideologically populist views that locates development communication origins within western development scholarship, the following postcolonist exposeacute appraises various communication uses in development that emerged from different parts of the world in the past 50 years. The discussion holds that the pioneering development communication experiments were located between postcolonial and underdevelopment theories, and as such, to understand its origins, a study must focus on the earliest non-commissioned and community-originated experiments, as this study purports to do

Mother's songs: male appropriation of women's music in Malawi and Southern Africa

This study, informed by historical and socio-cultural studies into HIV/AIDS, examines the political and commercial appropriation of female music by males specifically in Malawi and, in general, Southern Africa.1 Once appropriated, this music is often used, via the oral public sphere, in ways that, politically and economically, impact negatively on women. It is here argued that while recognized factors perpetuating gender inequalities are responsible for this appropriation, factors within the power dynamics of female culture itself may be contributory. It is further suggested that this public sphere use of appropriated female music may significantly negate or subvert some formal, especially written, positive gender equality messages