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Coleridge, Thoreau, and the Transatlantic Riddle of the World
[T]he benefits conferred by [Coleridge] on this and future ages are as yet incalculable...To the unprepared he is nothing, to the prepared, every thing.
Margaret Fuller1
When Henry David Thoreau alludes to Samuel Taylor Coleridge\u27s Dejection: An Ode in his epigraph to Walden, he situates his Walden Pond experiment as a contribution to a transatlantic conversation concerning a central theme in Coleridge\u27s poem - namely, how the self makes meaning of its relation to the world.2 In fact, Coleridge\u27s corpus shaped Thoreau\u27s dedicated exploration of just this relation - that between the self and nature. For Thoreau, and for Coleridge before him, this relation involved a third integral category: spirit. While today we tend to separate the human self, the external world of nature, adn the world of spirit, Coleridge envisioned these categories as comprising a continuum accessible through the human mind. Hence, he wrote, Then it is, that Nature, like an individual spirit or fellow soul, seems to think and hold commune with us. 3 Thoreau expressed a similar interest in nature, spirit, and self: My desire to commune with the spirit of the universe - to be intoxicated even with the fumes, call it, of that divine nectar - to bear my head through atmospheres and over heights unknown to my feet - is perennial & constant. 4 Both writers pursued a notion of spirit as interrelated and integrated with the self and with the natural world
Bécquer, Las Rimas y otras páginas. Prólogo y notas de José María Monner Sans. Angel Estrada y Cía., Buenos Aires, 1947. 602 pp. (Clás. Cast., 8).
Se reseñó el libro: Bécquer, Las Rimas y otras páginas. Prólogo y notas de José María Monner Sans
El primer siglo del Teatro en Puebla de los Ángeles y la oposición del Obispo don Juan de Palafox y Mendoza
Disputa suscitada en la ciudad de México, entre los Alcaldes del Crimen y los Ordinarios, por el Auto del año 1819 que mandó a las actrices no vestir traje de hombre en las funciones del Coliseo
La fuente de Las hojas secas de Bécquer
En este número no se incluyeron resúmenes ni palabras clave.
Noticias dadas por Tomás Gage, a propósito del Teatro en España, México y Guatemala (1624-1637)
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