Social Norms and Fundraising: The Trade-Off Between Enhanced Donations and Donor Identity Esteem

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Symmetry Breaking Study with Deformed Ensembles

A random matrix model to describe the coupling of m-fold symmetry in constructed. The particular threefold case is used to analyze data on eigenfrequencies of elastomechanical vibration of an anisotropic quartz block. It is suggested that such experimental/theoretical study may supply powerful means to discern intrinsic symmetries in physical systems.Comment: 12 pages, 5 figure

Level density for deformations of the Gaussian orthogonal ensemble

Formulas are derived for the average level density of deformed, or transition, Gaussian orthogonal random matrix ensembles. After some general considerations about Gaussian ensembles we derive formulas for the average level density for (i) the transition from the Gaussian orthogonal ensemble (GOE) to the Poisson ensemble and (ii) the transition from the GOE to $m$ GOEs.Comment: 7 pages revtex4, 5 eps figures, submitted to Phys. Rev.

Evaluation of Effective Astrophysical S factor for Non-Resonant Reactions

We derived analytic formulas of the effective S astrophysical S factor,S^eff for a non-resonant reaction of charged particles using a Taylor expension of the astrophysical S factor and a uniform approximation.The formulas will be able to generate generate more accurate approximation to S^eff than previous ones

Sparrows can't sing : East End kith and kinship in the 1960s

Sparrows Can’t Sing (1963) was the only feature film directed by the late and much lamented Joan Littlewood. Set and filmed in the East End, where she worked for many years, the film deserves more attention than it has hitherto received. Littlewood’s career spanned documentary (radio recordings made with Ewan MacColl in the North of England in the 1930s) to directing for the stage and the running of the Theatre Royal in London’s Stratford East, often selecting material which aroused memories in local audiences (Leach 2006: 142). Many of the actors trained in her Theatre Workshop subsequently became better known for their appearances on film and television. Littlewood herself directed hardly any material for the screen: Sparrows Can’t Sing and a 1964 series of television commercials for the British Egg Marketing Board, starring Theatre Workshop’s Avis Bunnage, were rare excursions into an area of practice which she found constraining and unamenable (Gable 1980: 32). The hybridity and singularity of Littlewood’s feature may answer, in some degree, for its subsequent neglect. However, Sparrows Can’t Sing makes a significant contribution to a group of films made in Britain in the 1960s which comment generally on changes in the urban and social fabric. It is especially worthy of consideration, I shall argue, for the use which Littlewood made of a particular community’s attitudes – sentimental and critical – to such changes and for its amalgamation of an attachment to documentary techniques (recording an aural landscape on location) with a preference for nonnaturalistic delivery in performance

Energy averages over regular and chaotic states in the decay out of superdeformed bands

We describe the decay out of a superdeformed band using the methods of reaction theory. Assuming that decay-out occurs due to equal coupling (on average) to a sea of equivalent chaotic normally deformed (ND) states, we calculate the average intraband decay intensity and show that it can be written as an ``optical'' background term plus a fluctuation term, in total analogy with average nuclear cross sections. We also calculate the variance in closed form. We investigate how these objects are modified when the decay to the ND states occurs via an ND doorway and the ND states' statistical properties are changed from chaotic to regular. We show that the average decay intensity depends on two dimensionless variables in the first case while in the second case, four variables enter the picture.Comment: 8 pages, 1 figure, presented at FUSION03, Matsushima, Miyagi, Japan, Nov 12-15, 2003, to appear in Progress of Theoretical Physics; corrected typo

Addendum: Attenuation of the intensity within a superdeformed band

We investigate a random matrix model [Phys. Rev. C {\bf 65} 024302 (2002] for the decay-out of a superdeformed band as a function of the parameters: $\Gamma^\downarrow/\Gamma_S$, $\Gamma_N/D$, $\Gamma_S/D$ and $\Delta/D$. Here $\Gamma^\downarrow$ is the spreading width for the mixing of an SD state $|0>$ with a normally deformed (ND) doorway state $|d>$, $\Gamma_S$ and $\Gamma_N$ are the electromagnetic widths of the the SD and ND states respectively, $D$ is the mean level spacing of the compound ND states and $\Delta$ is the energy difference between $|0>$ and $|d>$. The maximum possible effect of an order-chaos transition is inferred from analytical and numerical calculations of the decay intensity in the limiting cases for which the ND states obey Poisson and GOE statistics. Our results show that the sharp attenuation of the decay intensity cannot be explained solely by an order-chaos transition.Comment: 4 pages, 4 figures, submitted to Physical Review