70 research outputs found

    The meaning of antitheos (HLD. 4.7.13) again.

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    Scopic orgiasts and catoptric visualities.

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    Review article.No abstract available

    A commentary on books 3 and 4 of the Ethiopian story of Heliodorus.

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    Thesis (Ph.D.)-University of Natal, Durban, 1998.The thesis consists of an introduction to and commentary on books 3 and 4 of the Ethiopian Story of Heliodorus. The introduction explores the meagre evidence for the life of the author, and concludes that he was probably a Phoenician living in the Syrian city of Emesa. The nature of the personal relationship between Heliodorus and the cult of the sun, mentioned explicitly in the final sentence of the romance, is discussed but must remain inconclusive. References to Helios in the romance are shown to be largely literary rather than programmatically religious. The narrative context surrounding the encounter between the hero and heroine of the story and the latter's strange birth, which constitutes the true opening of the romance, are investigated particularly closely. The possibility that the author represented his heroine, paradoxically born white to the black king and queen of Ethiopia, as what would today be termed an albino, is analysed, and the literary and cultural implications of this evaluated. Comparative anthropological studies of this hereditary condition in a variety of cultures show a strong connection with religious cults of the sun, while the internal evidence in the romance (particularly the heroine 's miraculous birth, the constrained sexuality of the hero and heroine, and the high degree of cultural alienation in the work) further corroborate this argument. The introduction also reviews the evidence for the date of the romance, such as the extent of the author's knowledge of the contemporary kingdoms of Axum and Meroe, his use of words and linguistic forms that were prevalent in the fourth century, the traces of Christian doctrines in the romance, the comparison between the sieges of Syene and Nisibis, and the similarity between the account of the triumphal procession of Aurelian in Vopiscus' biography of the emperor and the presentation of ambassadors to Hydaspes. This survey shows that there are strong arguments for the fourth century date for the romance. The introduction concludes with a brief survey of the language and style of Heliodorus. The commentary provides detailed discussion of key passages for the interpretation of the author's narratological strategy, with particular regard to the role of Kalasiris in the plot. Other substantial notes look at the author's treatment of the conventions of romance , his ironical use of the superstition of the 'evil eye', his subtle characterisation, and his use of literary topoi. The thesis concludes with appendices on the intertextual relationship between the Homeric epics and the Ethiopian Story, the significance of the word uvn6Eoc;, and the 'amphibolies', or double explanations for events in the narrative

    The First Ethiopians: a critical perspective.

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    Book review.No abstract available

    War and peace in the ancient Greek novel.

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    This article investigates how war and peace are represented in Xenophon’s Cyropaedia, Chariton’s Chaereas and Callirhoe, the Ninus fragment, Achilles Tatius’ Leucippe, Longus’ Daphnis and Chloe, and Heliodorus’ Aithiopika. With the exception of the Cyropaedia and possibly the Aithiopika, these romances were composed at the height of the pax Romana when warfare between nations within the Roman Empire had declined. Nevertheless, war and battles constitute significant elements in these narratives, although they are often set in the remote past at the time of the Persian Empire and are frequently pastiches drawn from the historians. In Chariton, Achilles Tatius and Heliodorus, military episodes have an important narratological function. Attitudes to war vary: it is an intrusive element in the lives of most of the characters, and military bravado and imperial expansionism are sometimes viewed with irony. Occasionally the romances describe contemporary conflicts in considerable detail

    The influence of Roman law on the practice of slavery at the Cape of Good Hope (1652-1834).

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    This article investigates the extent to which Roman Law and received ideas about Roman slavery actually did form the basis on which slavery was practised and administered in the Cape of Good Hope between 1652 and 1834. Cape slavery was governed by plakaaten issued in Batavia as well as in Cape Town, but, particularly in capital cases, recourse was had directly to Roman Law and to the Roman-Dutch writers such as Simon van Leeuwen, Joost de Damhouder, Ulrich Huber, Andreas Gail and others. These writers frequently cite actual Roman laws, especially when considering the appropriate punishment. At this stage of our knowledge of how Roman Law was used in these cases, it is not possible to say whether its effect was ameliorative or pejorative, but there is little doubt that it was used both by owners and slaves, prosecution and defence, from the beginning until the end of this period

    The dream of Charikles (4.14.2) : intertextuality and irony in the Ethiopian story of Heliodorus.

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    There are strong but previously unnoticed intertextual links between the dream of Charikles in Heliodorus (4.14.2), the portent of the eagle in Achilles Tatius (2.12.1-3), and the dream of Penelope in Homer (Od. 19.535-69). The allusion to Achilles Tatius' Leukippe and Kleitophon may have alerted Heliodorus' readers to the approach of an important turning-point in the plot, but it is the Homeric link that is the primary focus. The dream of Penelope provides moral underpinning for marriage in the Aithiopika and helps to underline the complex ironies in Heliodorus' narrative at this crucial turning-point in the plot

    Furor, dementia, rabies: social displacement, madness and religion in the Metamorphoses of Apuleius.

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    Imperialism then and now.

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    Review article.No abstract available

    The role of discourse and lexical meaning in the grammaticalisation of temporal particles in Latin.

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