Towards a Methodology of Intersectionality: An Axiom-Based Approach

This article maps the emergence of intersectional feminist theory and explores the difficulties translating this theory into a methodology. To address these tensions, this article proposes three axioms that centre on things the researcher must avoid when conducting intersectional research and explores how these axioms can alleviate current tensions within intersectional research.Cet article dresse le bilan de l’émergence de la théorie féministe inter-sectionnelle et explore les difficultés de traduire cette théorie en méthodologie. Afin d’adresser ces tensions, cet article propose trois axiomes qui sont au cœur des choses que doit éviter tout chercheur/toute chercheuse qui entreprend des recherches inter-sectionnelles, et explore comment ces axiomes peuvent alléger les tensions actuelles au sein des recherches inter-sectionnelles

Reading Nostalgia, Anger, and the Home in Joyce Carol Oates’s \u3cem\u3eFoxfire\u3c/em\u3e

This article draws from Svetlana Boym’s concept of reflective nostalgia to explore the intersections between violence, memory, and the home in Joyce Carol Oates’s novel Foxfire. Through reflective nostalgia, Maddy is able to link the abuse she and her friends endure to various iterations of the home. Reflective nostalgia also allows Maddy to draw connections between anger and the domestic realm, and to write the members of FOXFIRE back into dominant narratives that largely exclude their lived experiences. Ultimately, this paper argues that because nostalgia often centers on the home, it is ideally suited to foreground the untenable nature of idyllic or hegemonic constructions of the domestic realm

Reading Nostalgia, Anger, and the Home in Joyce Carol Oates’s Foxfire

This article draws from Svetlana Boym’s concept of reflective nostalgia to explore the intersections between violence, memory, and the home in Joyce Carol Oates’s novel Foxfire. Through reflective nostalgia, Maddy is able to link the abuse she and her friends endure to various iterations of the home. Reflective nostalgia also allows Maddy to draw connections between anger and the domestic realm, and to write the members of FOXFIRE back into dominant narratives that largely exclude their lived experiences. Ultimately, this paper argues that because nostalgia often centers on the home, it is ideally suited to foreground the untenable nature of idyllic or hegemonic constructions of the domestic realm

Identity Politics and Global Citizenship in Elite Athletics: Comparing Caster Semenya and Oscar Pistorius

At the opening and closing ceremonies of the 2012 Summer Olympic Games in London, Team South Africa filed behind its respective flag-bearers, track-and-field stars Caster Semenya and Oscar Pistorius. While both athletes were mired in controversy at various points in their careers, each athlete's selection as South Africa's official flag bearer reaffirmed to the team, and indicated to the international spectator community, that each of the athletes had proven themselves "ideal" to represent the nation of South Africa on the world stage.The act of naming an athlete to be a country's official flag bearer is one of many instances at mega sporting events like the Olympics and World Championships where the notion of global citizenship is at play. In the context of globalization and the Olympic games, where competition between nations is extended into the arena of sport, Olympians are heralded as the ultimate global citizens, representing both the competitive individual and the competitive state. Bridging fields of globalization, citizenship, and sporting events, the Olympic Games are a mega-event upon which highly politicized notions of race, class, sex, gender, and geographical location intersect (see Toohey 2007).How is citizenship publically negotiated, learned, regulated, and performed through the mega-event of the Olympic Games? In this comparative feminist media analysis of the cases of Caster Semenya and Oscar Pistorius, we map the ways in which categories of identity, including race, gender, and class, are mobilized in discussion of these athletes as more-or-less deserving Olympic athlete-citizens

Reading Nostalgia, Anger, and the Home in Joyce Carol Oates’s Foxfire

This article draws from Svetlana Boym’s concept of reflective nostalgia to explore the intersections between violence, memory, and the home in Joyce Carol Oates’s novel Foxfire. Through reflective nostalgia, Maddy is able to link the abuse she and her friends endure to various iterations of the home. Reflective nostalgia also allows Maddy to draw connections between anger and the domestic realm, and to write the members of FOXFIRE back into dominant narratives that largely exclude their lived experiences. Ultimately, this paper argues that because nostalgia often centers on the home, it is ideally suited to foreground the untenable nature of idyllic or hegemonic constructions of the domestic realm

Running from responsibility: athletic governing bodies, corporate sponsors, and the failure to support pregnant and postpartum elite female distance runners

This feminist qualitative research draws on data from 14 semi-structured interviews with pregnant or parenting elite female distance runners. Using three theoretical approaches (liberal feminism, radical feminist thought, and strategic essentialism) alongside of thematic analysis, we identified the following themes about elite female distance runners: women do not feel supported by corporate sponsors or athletic governing bodies during pregnancy or postpartum; due to the lack of support, the women plan/strategize pregnancies around competitions, contracts, and spousal support; due to all of the above, the women face stress and uncertainty in their careers that their male counterparts do not. The participants argue that athletic governing bodies and corporate sponsors must be more transparent in their practices and improve policies to create more equitable sporting environments