Weltmusik and the globalization of new music

The chapter investigates the impact of globalisation on new music on the basis of the concept of _Weltmusik_, introduced in Germany in the 1970s. Particular attention is paid to the nfluence of Marshall McLuhan on Karlheinz Stockhausen. The essay is framed by a discussion of some of Deleuze and Guattari’s ideas, such as ‘rhizome’ and 'territorialization’, which might help to conceptualize the globalized nature of new music and bridge the gap between historical and geographical approaches in musicological and ethnomusicological

Recent approaches to experimental music theatre and contemporary opera [review article]

No abstract available

Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the Music of Lera Auerbach and Michael Nyman

Does stylistic appropriation serve to create a sense of unity or disunity, continuity or fragmentation? Taking George Lipsitz's notion of �families of resemblance� and intertextuality's dialogic qualities (as shown in the writings of Mikhail Bakhtin and Julia Kristeva), this article will put forward the argument that certain forms of quotation result in a kind of halfway house�an in-between state�where the text seemingly announces its own independence despite its (inter)dependence on a whole host of other intertexts. Unlike the collage-like, so-called polystylistic compositions of the late 1960s, which also used quotation, an altogether different and more deeply embedded form has developed since then, where the quoted material is integrated to a much greater extent on the surface, only to lay bare its �difference� at a deeper level. Such �hidden discontinuities� will be examined in relation to a single work, Lera Auerbach's Sogno di Stabat Mater (2005/2008), before applying Lipsitz's principle as a case study to Michael Nyman's oeuvre

Evaluation of the long-term efficacy and safety of an imidacloprid 10%/flumethrin 4.5% polymer matrix collar (Seresto®) in dogs and cats naturally infested with fleas and/or ticks in multicentre clinical field studies in Europe

<p>Abstract</p> <p>Background</p> <p>The objective of these two GCP multicentre European clinical field studies was to evaluate the long-term efficacy and safety of a new imidacloprid/flumethrin collar (Seresto^®, Bayer AnimalHealth, Investigational Veterinary Product(IVP)) in dogs and cats naturally infested with fleas and/or ticks in comparison to a dimpylat collar ("Ungezieferband fuer Hunde/fuer Katzen", Beaphar, Control Product (CP)).</p> <p>Methods</p> <p>232 (IVP) and 81 (CP) cats and 271(IVP) and 129 (CP) dogs were treated with either product according to label claims and formed the safety population. Flea and tick counts were conducted in monthly intervals for up to 8 months in the efficacy subpopulation consisting of 118 (IVP) + 47 (CP) cats and 197 (IVP) + 94 (CP) dogs. Efficacy was calculated as reduction of infestation rate within the same treatment group and statistically compared between the two treatment groups.</p> <p>Results</p> <p>Preventive efficacy against fleas in cats/dogs varied in the IVP group between 97.4%/94.1% and 100%/100% (overall mean: 98.3%/96.7%) throughout the 8 month period and in the CP group between 57.1%/28.2% and 96.1%/67.8% (overall mean: 79.3%/57.9%). Preventive efficacy against ticks in cats/dogs varied in the IVP group between 94.0%/91.2% and 100%/100% (overall mean: 98.4%/94.7%) throughout the 8 month period and in the CP group between 90.7%/79.9% and 100%/88.0% (overall mean: 96.9%/85.6%). The IVP group was statistically non-inferior to the CP group, and on various assessment days, statistical superiority was proven for flea and tick count reduction in dogs and cats. Both treatments proved to be safe in dogs and cats with mainly minor local observations at the application site. There was moreover, no incidence of any mechanical problem with the collar in dogs and cats during the entire study period.</p> <p>Conclusions</p> <p>The imidacloprid/flumethrin collar proved to reduce tick counts by at least 90% and flea counts by at least 95% for a period of at least 7-8 months in cats and dogs under field conditions. Therefore, it can be used as sustainable long-term preventative, covering the whole flea and tick season.</p

Improvisation as a creative dialogue

Our paper will describe the creative process of Zaum: Beyond Mind an interactive sound theater performance, and examine the role of improvisation in shaping the piece. Zaum is a modular performance for voice, bandoneon, piano and electronics- integrating both live interactive elements and fixed sounds – with lighting, and video projection. While the creative process included traditional modes of composition, a significant aspect in melding the contribution of two composers - each with a different approach to composition - shares important attributes with improvisation. It is to do with creative listening, adjusting our individual contribution in response to changing contexts, and developing a shared sense of musical pacing and narrative. Improvisation also played a significant role in developing the technological, interactive elements of the piece with a co-evolution of the programming and the performance over a lengthy process of exploration and adjustments. This process, therefore, entails multiple dialogues, musical as well as verbal, between us as a duo and between us and our instruments. On the way we discovered that analytical reflection, despite its connotations of cerebral processes popularly portrayed as in opposition to the spontaneity required in improvisation, played a crucial role in the shaping of the piece