Norwegian retroflexion : licensing by cue or prosody?

A common topic in recent literature on phonology is the question of whether phonological processes and segments are licensed by prosodic position or by perceptual cues. The former is the traditional view, as represented by e.g. Lombardi (1995) and Beckman (1998), and holds that segments occur in specific prosodic positions such as the coda. In a licensing by cue approach, as represented by Steriade (1995, 1999), on the other hand, segments are assumed to occur in those positions only where their perceptual cues are prominent, independent of the prosodic position. In positions where the cues are not salient, neutralization occurs

German glide formation functionally viewed

Glide formation, a process whereby an underlying high front vowel is realized as a palatal glide, is shown to occur only in unstressed prevocalic position in German, and to be blocked by specific surface restrictions such as *ji and *“j. Traditional descriptions of glide formation (including derivational as well as Optimality theoretic approaches) refer to the syllable in order to capture its conditions. The present study illustrates that glide formation (plus the distribution of long and short tense /i/) in German can better be captured in a Functional Phonology account (Boersma 1998) which makes reference to stress instead of the syllable and thus overcomes problems of former approaches

Postalveolar fricatives in Slavic languages as retroflexes

The present study poses the question on what phonetic and phonological grounds postalveolar fricatives in Polish can be analyzed as retroflex and whether postalveolar fricatives in other Slavic languages are retroflex as well. Velarization and incompatibility with front vowels are introduced as articulatory criteria for retroflexion, based on crosslinguistic data. According to these criteria, Polish and Russian have retroflex fricatives, whereas Bulgarian and Czech do not. In a phonological representation of these Slavic retroflexes, the necessity of perceptual features is shown. Lastly, it is illustrated that palatalization of retroflex fricatives both in Slavic languages and more generally causes a phonetic and phonological change to a non-retroflex sound

The diachronic emergence of retroflex segments in three languages

The present study shows that though retroflex segments can be considered articulatorily marked, there are perceptual reasons why languages introduce this class into their phoneme inventory. This observation is illustrated with the diachronic developments of retroflexes in Norwegian (North- Germanic), Nyawaygi (Australian) and Minto-Nenana (Athapaskan). The developments in these three languages are modelled in a perceptually oriented phonological theory, since traditional articulatorily-based features cannot deal with such processes

Variation in the perception of an L2 contrast : a combined phonetic and phonological account

The present study argues that variation across listeners in the perception of a non-native contrast is due to two factors: the listener-specic weighting of auditory dimensions and the listener-specic construction of new segmental representations. The interaction of both factors is shown to take place in the perception grammar, which can be modelled within an OT framework. These points are illustrated with the acquisition of the Dutch three-member labiodental contrast [V v f] by German learners of Dutch, focussing on four types of learners from the perception study by Hamann and Sennema (2005a)

Retroflexion and retraction revised

Arguing against Bhat’s (1974) claim that retroflexion cannot be correlated with retraction, the present article illustrates that retroflexes are always retracted, though retraction is not claimed to be a sufficient criterion for retroflexion. The cooccurrence of retraction with retroflexion is shown to make two further implications; first, that non-velarized retroflexes do not exist, and second, that secondary palatalization of retroflexes is phonetically impossible. The process of palatalization is shown to trigger a change in the primary place of articulation to non-retroflex. Phonologically, retraction has to be represented by the feature specification [+back] for all retroflex segments

The walking up and down bit

Video installation at the BFI and Glenshaw Mansions. This project celebrates the centenary of year of Max Wall (1908-1990) one of Britain's most remarkable comedians and performers. Wall perfected an eccentric walk which is the subject of this project. Variations of the video were shown at the BFI Southbank and projected on the exterior of Glenshaw Mansions, Wall's birthplace and former home