Ponovno branje zgodovine mesta Dargazin skozi podobe miniatur Nasuha Matrakçija

This article focuses on the miniature paintings of Nasuh Matrakçi who came to the west of Iran during the Safavid period. Matrakçi’s miniatures are among the oldest surviving images of Dargazin city, the like of which cannot be found in other travelogues and historians’ works. The surviving three images at two different settings can help us understand the urban and social status of Dargazin in the Safavid period. The findings indicate that, thanks to its Sunni residents and because of its geopolitical significance, Dargazin was of great interest to Ottoman and Safavid rulers who turned it to the governing base of the region. This played an important role in the city’s development in the way that in some areas, like the design of gardens, the traditional architecture of the Safavid period was mixed with original Persian style.Članek se osredotoča na miniature Nasuha Matrakçija, ki je v zahodni Iran prišel v času Safavidov. Njegove miniature spadajo med najstarejše ohranjene podobe mesta Dargazin. V drugih popotniških besedilih in zgodovinskih delih ni mogoče najti takih podob. Tri ohranjene podobe, ki kažejo dva različna prizora, nam pomagajo razumeti urbani in družbeni status Dargazina v času Safavidov. Zahvaljujoč sunitskemu prebivalstvu mesta in njegovemu geopolitičnemu pomenu, najdbe nakazujejo pomen, ki ga je mesto imelo za Otomane in Safavide, v času katerih je bil Dargazin upravno središče regije. Ta status je imel pomembno vlogo v razvoju mesta, kar se kaže v tem, da se je na nekaterih področjih, kot je oblikovanje vrtov, tradicionalna arhitektura safavidskega obdobja mešala s prvotnim perzijskim slogom

Rereading the History of Dargazin City in Nasuh Matrakçi Miniature Images

This article focuses on the miniature paintings of Nasuh Matrakçi who came to the west of Iran during the Safavid period. Matrakçi’s miniatures are among the oldest surviving images of Dargazin city, the like of which cannot be found in other travelogues and historians’ works. The surviving three images at two different settings can help us understand the urban and social status of Dargazin in the Safavid period. The findings indicate that, thanks to its Sunni residents and because of its geopolitical significance, Dargazin was of great interest to Ottoman and Safavid rulers who turned it to the governing base of the region. This played an important role in the city’s development in the way that in some areas, like the design of gardens, the traditional architecture of the Safavid period was mixed with original Persian style