MUTHA - Museu Transgênero de História e Arte

Ensaio sobre o projeto Museu Transgênero de História e Arte (MUTHA)

Teatro e performance

The discipline “Theater and Performance” seeks to bring together a set of practices, processes, debates, disputes and conceptual tools around the poetics and politics of Performance, considering its relations with the field of Theater, especially Theater Education. The material is intended to support the curricular component of the same name, promoted by the Degree in Theater at the Federal University of Bahia.CAPESA disciplina “Teatro e Performance” busca reunir um conjunto de práticas, processos, debates, disputas e ferramentas conceituais em torno das poéticas e políticas da Performance, considerando suas relações com o campo do Teatro, especialmente a Educação em Teatro. O material tem o intuito de dar suporte ao componente curricular de mesmo nome, promovido pela Licenciatura em Teatro da Universidade Federal da Bahia

Corpos transformacionais: a transformação corporal nas artes da cena

This research aims to: 1) create, characterize and explore the notion of Transformational Bodies, as well as the numerous transontocosmoepistemological concepts arising from it and the worlds it engenders, proposing it as a fundamental artistic, political and social reflection for reflections on body and gender variance in the performing arts, as well as weaving philosophical experiments about 2) the poetics of embodiment, alteration and potentiation of body transformation in this field, considering the methodological, performative, creative and acting work of movement artists and performers, outlining 3) the political, historical and cultural implications of cisheteronormative power devices that exercise and update colonial mechanisms on these existences. To this end, I will produce, through Transchymerography, conceptual movements that will support my theoretical and experiential proposition, such as changes in physical states, body transformation and alteration of the states of matter, based on references from Butoh, Performance Studies, Philosophy of Difference, Neomaterialist and Posthumanist Feminism, Trans Studies, Anthropological Studies and Anticolonial Studies. The characterization of Transformational Bodies reveals new methodological perspectives and ways to resist cisnormative processes of capturing body transformation through cistems. Against these processes, I tried to elaborate new scenic transontocosmoepistemological possibilities with anti-colonial paths that could promote radical landscapes for the creation of other beings and worlds.A presente pesquisa tem como propósitos: 1) criar, caracterizar e explorar a noção de Corpos Transformacionais, bem como os inúmeros conceitos transontocosmoepistemológicos dela advindos e os mundos por ela engendrados, propondo-a como reflexão artística, política e social fundamental para produções sobre variância corporal e de gênero nas Artes da Cena, assim como 2) articular experimentações filosóficas a respeito das poéticas de corporificação, alteração e potencialização da transformação corporal neste campo, considerando o trabalho metodológico, performativo, criativo e de atuação de artistas do movimento e performers, 3) traçando as implicações políticas, históricas e culturais dos dispositivos de poder cisheteronormativos que exercem e atualizam mecanismos coloniais sobre essas existências. Para tal, produzirei, através da Transquimerografia, movimentos conceituais que promoverão suportes para a minha proposição teórica e experiencial, como os de mudanças de estados corporais, transformação corporal e alteração dos estados da matéria. Faço-o a partir de referenciais do Butô, dos Estudos da Performance, da Filosofia da Diferença, do Feminismo Neomaterialista e Pós-Humanista, dos Estudos Trans, dos Estudos Antropológicos e dos Estudos Anticoloniais. A caracterização de Corpo Transformacional revela novas perspectivas metodológicas e maneiras de resistir a processos cisnormativos de captura da transformação corporal através de cistemas. Contra esses processos, tentei elaborar novas possibilidades transontocosmoepistemológicas cênicas com caminhos anticoloniais que possam promover paisagens radicais para a criação de outros seres e mundos

Corpo-catástrofe : da transformação ao corpo sacrificial

O presente trabalho destina-se a examinar a construção do Espetáculo Sebastian e os procedimentos de pesquisa e criação de obras envolvidos no Projeto Sebastian, descrevendo seus processos de criação, com foco em suas configurações no trabalho corporal do ator-dançarino. Este espetáculo de dança-teatro se constitui de experiências consubstanciadas na criação de um corpo transformacional sacrifical, a partir dos temas da identidade de gênero, do sagrado, do erotismo e de questões sobre a devastação corporal e a fluidez dos processos de subjetivação da identidade. São pesquisados aspectos que tangenciam, a partir de São Sebastião, o corpo do ator-dançarino. Através da transformação corporal, surge um corpo imanente, errante, múltiplo e poroso, em cujos processos movimentos se dissolvem constantemente, transitando entre a emergência física do acesso de espaços de movimento limítrofes e o devaneio do trabalho imagético e energético.The present work aims to examine the construction of the Sebastian Play and the procedures of research and creation of works in Sebastian Project, describing its creation process and its configurations in the physical work of the actor-dancer. This dance-theater play consists of experiences embodied in the creation of a transformational sacrificial body, from the emergence of themes like gender indentity, eroticism, sacred, and questions about the body devastation and the fluidity of the processes of subjectivation of identity. We search for aspects that touch on the body of the actor-dancer from San Sebastian. Through body transformation, an immanent, errant, multiple and porous body emerges, in whose processes movements are constantly dissolving, transiting between the physical emergence of boundary spaces of movement and the reverie of imagery and energetic work

Desmonte: Sobre (cura)dorias, feridas e modos de ser em Arte

This article articulates socially and politically-implied analyzes of the curatorial and healing processes that took place during the DESMONTE artistic-academic event held at the UFBA Dance School in two editions, 2019 and 2020. The main agenda of this event is to reflect on gender, race, sexuality, and disability using corporeal and intersectional perspectives. With the contribution of Trans Studies, Anti-colonial Studies and Anthropological Studies of the Anthropocene, three elements (the flame, the milk, and the table) of the performance (B)urra demanda de amor by Pérola Preta are assembled to compose arguments that signal clues from a cartography about wounds, the End of the World, witchcraft, healing, the creation of other worlds, and ways of being.Este artículo articula análisis social y políticamente involucrados de los procesos curatoriales que tuvieron lugar durante el evento artístico-académico DESMONTE realizado en la Escuela de Danza de la UFBA en dos ediciones, 2019 y 2020. La agenda principal de este evento es reflexionar sobre género, raza, sexualidad y perspectiva corporal e interseccional. Con el aporte de Estudios Trans, Estudios Anticoloniales y Estudios Antropológicos del Antropoceno, tres elementos (la llama, la leche y la mesa) de la actuación son convocados (B)urra demanda de amor, de Pérola Preta, para componer argumentos. que señalan pistas de una cartografía sobre heridas, fin del mundo, brujería, curación y creación de otros mundos y formas de ser.Este artigo articula análises implicadas social e politicamente aos processos de curadoria ocorridos por ocasião do evento artístico-acadêmico DESMONTE realizado na Escola de Dança da UFBA em duas edições, 2019 e 2020. A principal pauta desse evento é refletir sobre gênero, raça, sexualidade e deficiência, em perspectiva corporal e interseccional. Com o aporte dos Estudos Trans, dos Estudos Anti-coloniais e dos Estudos Antropológicos do Antropoceno, convoca-se três elementos (a chama, o leite e a mesa) da performance (B)urra demanda de amor, de Pérola Preta, para compor argumentos que sinalizam pistas de uma cartografia sobre feridas, Fim do Mundo, feitiçarias, curas e criação de outros mundos e modos de ser

Geometrias do corpo: entre o Butô e a arquitetura

This article aims to develop a counterpoint between the notions of body and spatiality traditionally present in architecture and urban planning and those observed in dance, in particular Butoh ballet. On this purpose, we analyze the forms of representation, the morphology and history of classical architecture, purposing the concepts of bodyspace and spacetime in the work of Min Tanaka and in Butoh dance in general. From this comparison, we intend to understand new possibilities and definitions of perception and interaction between space and body in movement and architectural planning.Este artículo propone un contrapunto entre las nociones de cuerpo y espacialidad tradicionalmente desarrolladas en arquitectura y urbanismo y las de danza, en particular Butoh. Para esto, se analizan brevemente las formas de representación, la morfología e historia de la arquitectura clásica, proponiendo los conceptos de espaciocuerpo y espaciotiempo en la danza de Min Tanaka y en el ballet Butoh. A partir de esta comparación, pretendemos comprender nuevas posibilidades de percepción e interacción entre el espacio y el cuerpo en movimiento y en diseño arquitectónico.Este artigo propõe um contraponto entre as noções de corpo e espacialidade desenvolvidas tradicionalmente na arquitetura e no urbanismo e aquelas da dança, em particular o Butô. Para tanto, são brevemente analisadas as formas de representação, a morfologia e a história da arquitetura clássica, propondo-se os conceitos de corpoespaço e espaçotempo na dança de Min Tanaka e no Butô. Dessa comparação pretende-se depreender novas possibilidades de percepção e interação entre espaço e corpo no movimento e no projeto arquitetônico

Mortality from gastrointestinal congenital anomalies at 264 hospitals in 74 low-income, middle-income, and high-income countries: a multicentre, international, prospective cohort study

Summary Background Congenital anomalies are the fifth leading cause of mortality in children younger than 5 years globally. Many gastrointestinal congenital anomalies are fatal without timely access to neonatal surgical care, but few studies have been done on these conditions in low-income and middle-income countries (LMICs). We compared outcomes of the seven most common gastrointestinal congenital anomalies in low-income, middle-income, and high-income countries globally, and identified factors associated with mortality. Methods We did a multicentre, international prospective cohort study of patients younger than 16 years, presenting to hospital for the first time with oesophageal atresia, congenital diaphragmatic hernia, intestinal atresia, gastroschisis, exomphalos, anorectal malformation, and Hirschsprung’s disease. Recruitment was of consecutive patients for a minimum of 1 month between October, 2018, and April, 2019. We collected data on patient demographics, clinical status, interventions, and outcomes using the REDCap platform. Patients were followed up for 30 days after primary intervention, or 30 days after admission if they did not receive an intervention. The primary outcome was all-cause, in-hospital mortality for all conditions combined and each condition individually, stratified by country income status. We did a complete case analysis. Findings We included 3849 patients with 3975 study conditions (560 with oesophageal atresia, 448 with congenital diaphragmatic hernia, 681 with intestinal atresia, 453 with gastroschisis, 325 with exomphalos, 991 with anorectal malformation, and 517 with Hirschsprung’s disease) from 264 hospitals (89 in high-income countries, 166 in middleincome countries, and nine in low-income countries) in 74 countries. Of the 3849 patients, 2231 (58·0%) were male. Median gestational age at birth was 38 weeks (IQR 36–39) and median bodyweight at presentation was 2·8 kg (2·3–3·3). Mortality among all patients was 37 (39·8%) of 93 in low-income countries, 583 (20·4%) of 2860 in middle-income countries, and 50 (5·6%) of 896 in high-income countries (p<0·0001 between all country income groups). Gastroschisis had the greatest difference in mortality between country income strata (nine [90·0%] of ten in lowincome countries, 97 [31·9%] of 304 in middle-income countries, and two [1·4%] of 139 in high-income countries; p≤0·0001 between all country income groups). Factors significantly associated with higher mortality for all patients combined included country income status (low-income vs high-income countries, risk ratio 2·78 [95% CI 1·88–4·11], p<0·0001; middle-income vs high-income countries, 2·11 [1·59–2·79], p<0·0001), sepsis at presentation (1·20 [1·04–1·40], p=0·016), higher American Society of Anesthesiologists (ASA) score at primary intervention (ASA 4–5 vs ASA 1–2, 1·82 [1·40–2·35], p<0·0001; ASA 3 vs ASA 1–2, 1·58, [1·30–1·92], p<0·0001]), surgical safety checklist not used (1·39 [1·02–1·90], p=0·035), and ventilation or parenteral nutrition unavailable when needed (ventilation 1·96, [1·41–2·71], p=0·0001; parenteral nutrition 1·35, [1·05–1·74], p=0·018). Administration of parenteral nutrition (0·61, [0·47–0·79], p=0·0002) and use of a peripherally inserted central catheter (0·65 [0·50–0·86], p=0·0024) or percutaneous central line (0·69 [0·48–1·00], p=0·049) were associated with lower mortality. Interpretation Unacceptable differences in mortality exist for gastrointestinal congenital anomalies between lowincome, middle-income, and high-income countries. Improving access to quality neonatal surgical care in LMICs will be vital to achieve Sustainable Development Goal 3.2 of ending preventable deaths in neonates and children younger than 5 years by 2030

Corpo-catástrofe : da transformação ao corpo sacrificial

O presente trabalho destina-se a examinar a construção do Espetáculo Sebastian e os procedimentos de pesquisa e criação de obras envolvidos no Projeto Sebastian, descrevendo seus processos de criação, com foco em suas configurações no trabalho corporal do ator-dançarino. Este espetáculo de dança-teatro se constitui de experiências consubstanciadas na criação de um corpo transformacional sacrifical, a partir dos temas da identidade de gênero, do sagrado, do erotismo e de questões sobre a devastação corporal e a fluidez dos processos de subjetivação da identidade. São pesquisados aspectos que tangenciam, a partir de São Sebastião, o corpo do ator-dançarino. Através da transformação corporal, surge um corpo imanente, errante, múltiplo e poroso, em cujos processos movimentos se dissolvem constantemente, transitando entre a emergência física do acesso de espaços de movimento limítrofes e o devaneio do trabalho imagético e energético.The present work aims to examine the construction of the Sebastian Play and the procedures of research and creation of works in Sebastian Project, describing its creation process and its configurations in the physical work of the actor-dancer. This dance-theater play consists of experiences embodied in the creation of a transformational sacrificial body, from the emergence of themes like gender indentity, eroticism, sacred, and questions about the body devastation and the fluidity of the processes of subjectivation of identity. We search for aspects that touch on the body of the actor-dancer from San Sebastian. Through body transformation, an immanent, errant, multiple and porous body emerges, in whose processes movements are constantly dissolving, transiting between the physical emergence of boundary spaces of movement and the reverie of imagery and energetic work

MUTHA - Museu Transgênero de História e Arte

Ensaio sobre o projeto Museu Transgênero de História e Arte (MUTHA)

Preclinical development of kinetin as a safe error-prone SARS-CoV-2 antiviral able to attenuate virus-induced inflammation

The search for antivirals against SARS-CoV-2 continue due to the emergence of variants of concerns, able to escape the vaccinal humoral response. In this work, authors pre-clinically explore the potential of kinetin against SARS-CoV-2, which could be used alone or in combination with other antivirals