12,518 research outputs found
Rick Young
Rick Young showing how to groom a horse at the 4-H Club Appaloosa field dayhttps://scholarsjunction.msstate.edu/ua-photo-collection/8258/thumbnail.jp
The Intertextual Use of H. P. Lovecraft’s Fiction in Rick and Morty
The purpose of this paper is to demonstrate the influence of h.p.
Lovecraft’s ideas on Rick and Morty, the tv programme from the 2010s that brings
forth the devices characteristic for postmodernist works. The main focus is on
explaining the postmodernist notions and Lovecraftian elements on which Rick
and Morty was based. More precisely, two episodes in total – s02e06: The Ricks
Must Be Crazy and s04e06: Never Ricking Morty – are analysed and compared
with elements of Lovecraft’s works they draw from. Furthermore, the effect of the
time of the show’s creation on the choice of used postmodernist devices and
Lovecraftian elements, as well as their purpose, try to be explained. Based on the
comparative analysis of two episodes of Rick and Morty and Lovecraft’s works,
one concludes that the show successfully incorporated Lovecraftian ideas and
worldview into its episodes and transferred them into the 21st century. Because of
the current situation in the world marked by a global pandemic, the show relies
mainly upon Lovecraft’s cosmic indifference. The show refers to the coronavirus,
which could be regarded as a monster of the 21st century that awakened the
cosmic fear present in Lovecraft’s works
The Intertextual Use of H. P. Lovecraft’s Fiction in Rick and Morty
The purpose of this paper is to demonstrate the influence of h.p.
Lovecraft’s ideas on Rick and Morty, the tv programme from the 2010s that brings
forth the devices characteristic for postmodernist works. The main focus is on
explaining the postmodernist notions and Lovecraftian elements on which Rick
and Morty was based. More precisely, two episodes in total – s02e06: The Ricks
Must Be Crazy and s04e06: Never Ricking Morty – are analysed and compared
with elements of Lovecraft’s works they draw from. Furthermore, the effect of the
time of the show’s creation on the choice of used postmodernist devices and
Lovecraftian elements, as well as their purpose, try to be explained. Based on the
comparative analysis of two episodes of Rick and Morty and Lovecraft’s works,
one concludes that the show successfully incorporated Lovecraftian ideas and
worldview into its episodes and transferred them into the 21st century. Because of
the current situation in the world marked by a global pandemic, the show relies
mainly upon Lovecraft’s cosmic indifference. The show refers to the coronavirus,
which could be regarded as a monster of the 21st century that awakened the
cosmic fear present in Lovecraft’s works
Ein Liederabend, February 17, 1998
This is the concert program of the Ein Liederabend performance on Tuesday, February 17, 1998 at 6:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were L'invito, La promessa, and La danze from "Les Soirées Musicales" by Gioachino Rossini, The Vagabond, Let Beauty Awake, and Bright is the Ring of Words from "Songs of Travel" by Ralph Vaughan Williams, Kornblumen and Efeu from "Mädchenblumen," Op. 22 by Richard Strauss, Die Nacht, Op. 10 from "Acht Lieder aus Letzte Blätter" by R. Strauss, Nuit d'etoiles by Claude Debussy, Beau soir by C. Debussy, Le Charme, Le Colibri, and Les papillons from "Sept Mélodies," Op. 2 by Ernest Chausson, Chanson triste by Henri Duparc, L'invitation au voyage by H. Duparc, Au pays oùe se fait la guerre by H. Duparc, Clair de Lune, Op. 46, No. 2 by Gabriel Fauré, Lydia, Op. 4, No. 2 by G. Fauré, Nell, Op. 18, No. 1 by G. Fauré, Và godengo (from "Serse") by George Frideric Handel, Lamento by Giles Higgins, Early in the Morning by Ned Rorem, At Day-Close in November, The Choirmaster's Burial, and Before Life and After from "Winter Words," Op. 52 by Benjamin Britten, Recit: E pur cesi in un giorno and Aria: Piangerò la sorte mia from "Giulio Cesare" by G. F. Handel, and Waltzer-Gesänger, Op. 6 by Alexander Zemlinsky. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
PenQuest Volume 3, Number 1
The Table of Contents for this Volume:
Untitled by R. Bruce Warner
Seeing the Unseen by Sharon Gresham
Untitled by Helen Hagadorn
Untitled by Steve Balunan
Happy Holidays by Donna Kaluzniak
River-walking, Night-talking by William Slaughter
Ribbon of Light by Judith Mizrahi
Love in Parentheses by Sharon Gresham
Untitled by Steve Balunan
Protohistory by Patricia Kraft
Untitled by Bruce Abbey
Untitled by Rick Wagner
Thanatopsis by Pat Kraft
Untitled by Sue Hightower
Untitled by Rick Wagner
Conversations of a Woman by Sharon Gresham
Thur, Fri, Sat, at Mr. B\u27s by Patricia Kraft
Untitled by Rick Wagner
Untitled by Cindy Carlisle
Untitled by Win Lyons
Untitled by Cindy Carlisle
Untitled by Modesta Matthews
Untitled by James Tutten
A Light at Mill Pond Crossing by Joe Palmer
Untitled by Rick Wagner
Two People by Kathleen Gay
Untitled by Rick Wagner
American Dream (Russian Version) by William Slaughter
Untitled by Judith Mizrahi
Untitled by Linda Willco
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