Smoke, curtains and mirrors: the production of race through time and title registration

This article analyses the temporal effects of title registration and their relationship to race. It traces the move away from the retrospection of pre-registry common law conveyancing and toward the dynamic, future-oriented Torrens title registration system. The Torrens system, developed in early colonial Australia, enabled the production of ‘clean’, fresh titles that were independent of their predecessors. Through a process praised by legal commentators for ‘curing’ titles of their pasts, this system produces indefeasible titles behind its distinctive ‘curtain’ and ‘mirror’, which function similarly to magicians’ smoke and mirrors by blocking particular realities from view. In the case of title registries, those realities are particular histories of and relationships with land, which will not be protected by property law and are thus made precarious. Building on interdisciplinary work which theorises time as a social tool, I argue that Torrens title registration produces a temporal order which enables land market coordination by rendering some relationships with land temporary and making others indefeasible. This ordering of relationships with land in turn has consequences for the human subjects who have those relationships, cutting futures short for some and guaranteeing permanence to others. Engaging with Renisa Mawani and other critical race theorists, I argue that the categories produced by Torrens title registration systems materialise as race

Australian Aboriginal Women's Protest Poetry

This chapter argues that since the 1960s and 1970s Aboriginal protest poetry has taken a gendered turn. It examines the gendering of protest through an analysis of the politico-aesthetics of the work of three poets, Kath Walker/Oodgeroo, Romaine Moreton and Jeanine Leane

Recognition and repentance in Canadian multicultural heritage: The Community Historical Recognition Program and Italian Canadian memorializing

In this article, we examine the multiculturalization of Canadian heritage, and, in particular, the shift to a politics of repentance which that has emerged in the past few decades, recognizing specific instances of violence and exclusion that occurred in the nation’s past. Understood in relation to a duty to remember (devoir de mémoire) and a growing global discourse of reconciliation, as well as locally specific demands for redress, this shift has occurred through a convergence of institutional and grassroots activities, and it is exemplified by the Community Historical Recognition Program (CHRP). To explore the implications of this shift, we analyze heritage projects, including both CHRP-funded and independently developed exhibitions and memorials, created in recognition of the discrimination and internment experienced by Italian Canadians during the Second World War. While these can be read as institutionalizing traumatic memories and promoting a legitimizing narrative of the Canadian settler nation-state, they also serve to enable communities to inscribe their own narratives in Canadian history