Exhibition: Africa’s Legacy in México

Tony Gleaton’s poignant portraits feature the present-day descendants of African slaves brought to Mexico beginning in the sixteenth century by Spaniards bringing to light a lesser-known aspect of the African Diaspora

Modesty and modernity: photography, race, and representation on Mexico’s Costa Chica (Guerrero)

This article uses ethnographic techniques to examine photographic practices in and around San Nicolás Tolentino, Guerrero, a rural community in a historically black region of Mexico. At its core is a juxtaposed interpretation of a book of photographs entitled Tierra Negra (Black Earth), taken by a Mexican photographer in the early 1990s, and local people’s “home” photos, mostly portraits of family members displayed on the walls of sitting rooms. In 2001, I brought Tierra Negra to San Nicolás in order to elicit local people’s responses to the photographs, which turn out to be mostly of them. Through their comments on these photos, as well as discourses around their home photos, I elaborate on identity issues and local people’s formulations of progress and modernity. I situate my analysis in the historical and anthropological scholarship on race and photographic representation as I draw conclusions about the distinct yet overlapping meanings that “outsiders” and “insiders” give to blackness and the values that such blackness holds as commodity, as historical memory and as one of the roots of Mexican national identity