Michael Ondaatje: The Desert of the Soul

Readers who have enjoyed Ondaatje\u27s evocation of damp and hot New Orleans in Coming through Slaughter, the lush descriptions of his native Sri Lanka in Running in the Family or the depictions of life in cold and windy Toronto in In the Skin of a Lion, will be in for a surprise: the real heroine of The English Patient is the Libyan Desert

Derek Walcott\u27s Omeros: The Isle is Full of Voices

Richard Rowan, the hero of James Joyce\u27s Exiles, explains at the beginning of the third act that while he was walking the length of the beach of Dublin Bay, demons could be heard giving him advice. \u27The isle is full of voices\u27, Rowan says, adapting a phrase from The Tempest, and this sentence aptly describes Joyce\u27s aesthetics. In his poem Omeros Derek Walcott may well have succeeded in doing for St. Lucia what Joyce did for Ireland and Dublin.1 And he has done so, not in the naturalistic or psychological mode of Exiles, A Portrait of the Artist as a Young Mtm or Dubliners, but in the grand manner of the later Joyce\u27s Ulysses. The ambition of Walcotrs poem is clear: the poet measures himself against Homer, Dante, Shakespeare and Joyce. It is an ambition worthy of a Nobel prize

Joyce (James) ; Ulysses. A Critical and Synoptic Edition. Prepared by Hans Walter Gabler with Wolfltard Steppe and Claus Melchior.

Lernout Geert. Joyce (James) ; Ulysses. A Critical and Synoptic Edition. Prepared by Hans Walter Gabler with Wolfltard Steppe and Claus Melchior.. In: Revue belge de philologie et d'histoire, tome 64, fasc. 3, 1986. Langues et littératures modernes - Moderne taal- en letterkunde. pp. 650-657