Millennial Culture and Epistemology: Exploring the Meaning-making Discourse of an Emerging Generation

Millennial Culture and Epistemology takes a mixed methods approach to understanding the culture and epistemological processes of the current cohort of millennial undergraduate students at a small residential liberal arts college. The study first identifies specific trends in epistemological frameworks, ethics, and claimed spiritual/religious identities among a sample of undergraduate students and finds that students are commonly utilizing subjectivist epistemological frameworks that are built around cultural relativism and skepticism. The study then unpacks markers of undergraduate millennial culture as they relate to epistemology and finds that students’ stances on issues of community, social ethics and responsibility, religion, and spirituality are often heavily influenced by students’ experiences with trauma, mental health concerns, widespread generalized cultural anxiety, broadly shared disdain for traditional organized religion, and a social ethos of individualism. They maintain a preference for personal spirituality over communal religious practices, though many do not find religion or spirituality to be important and some regard it as harmful to persons and society. This does not mean the students aren’t interested in social care and community building—quite the contrary. The study finds that students are very active in caring for others around them, and they often enact this social care through personalized moral communities. These findings suggest that scholars of sociology and religion must develop new academic language and study tools that accurately detach millennial community practices and epistemology from religion and spirituality so as to more fully and inclusively address the relationship between culture, epistemology, and ethics

Reinhold Niebuhr\u27s Christian Nation: The Theology of White Supremacy in Liberal White American Christianity

Reinhold Niebuhr’s Christian Nation explores the relationships between white supremacy, American nation-building, and Protestantism. The argument operates on two levels. It is firstly concerned with unpacking the development of white supremacy as a cultural theology that evolved alongside the American project from European colonization to the present day, one which infiltrates all aspects of the American project and provides its unjust racial hierarchies with divine justification. To this end, the project then turns to an analysis of the development of American nationalism and discusses the ways in which we have cultivated a heroic American mythology that undergirds both white supremacy and national sovereignty in the United States. A breakdown of the ontological significance of white supremacy for white and non-white Americans is offered, followed by discussion of some of the necessary revolutions in white American church life and social culture needed to bring about real racial justice. The study operates on a second level as a case-study exploration of the life and work of Reinhold Niebuhr, a prominent 20th century American Protestant theologian who pushed for social and economic justice initiatives but was criticized by later commentators for being too passive in the fight for racial justice. Through an examination of Niebuhr’s writings, the paper seeks to prompt progressive white Christians and social justice advocates alike to take a stronger and more active stance against all forms of racial violence

Our Christian Nation: White Supremacy and the Making of an American Theology

What does it mean to be a “Christian nation,” a nation which is blessed by God above other nations? This moniker of divinity and chosen-ness has been in some way attached to the American project since its conception, though many in the ensuing years have criticized American life and culture as distinctly un-Christian. Furthermore, what does it mean to be American? To trace citizenship back to the origins of the nation reveals a sense of American-ness which is bound to whiteness. Since our earliest foundations, white supremacy has been in a close symbiotic relationship with our structures of government and American Christianity. This project utilizes the work of theologians Reinhold Niebuhr, James Cone, and Kelly Brown Douglas to explore the connections between the development of whiteness as an American social institution and marker of belongingness and the development of the national identity, an identity which I will argue is at once almost inextricably bound to white supremacy while also deeply tied to a coopted Christianity. Along the way I offer an examination of the theological underpinnings of patriotism and the moral life of a nation, and a brief history of how and why we came to see Jesus so commonly embodied as a white man. Ultimately, my project seeks to support two entwined theses. I argue that white supremacy as sanctioned and justified by a racialized understanding of Jesus and divinity was essential in nation building and the cultivation of the American identity. But perhaps more significantly, I hold that we must stop thinking about white supremacy as simply a racist ideology, and instead turn to a more nuanced understanding of white supremacy as an essential American theology that elevates the white body to a position which is sacred, chosen, and closer to God

The Lantern, 2016-2017

• Our Lady of Perpetual Virginity • Essential Terms for the Audience • Stories Untold • Jesus Camp • The Second Avenue Schmear • Driving to the Beach • Thanks, Alice • Decay • Peanut Butter Rhapsody • Transactions • Traffic • Sissy • Melting Wings • Ocean • Small Town Summer • Third Story • Family Trees • Mixed, Just Like Me • Sour Graves • How Sweet the Sound • Goodnight, Halfmoon • I\u27m Going to Ask Him How • Music • Pizza • Manhoodlike • Meditations From a Bunk Bed in a Home on Mount Pocono • Soft • Twilight\u27s Palette • The Oracle • Cynicism • River Ganges • Pinata Body and Hearing the Gun Shot • Song With No Music • Of Mornings Considering Womanhood • 10 Hours in Philadelphia • To Cut • Sachrang • Bavarian Wave Swinger • Irish Rain • Remembrances, Well • The Roses • Buttermilk • The Universe Will Always Listen if You Ask Her, Which is Why I Like Her More Than God • A Lukewarm Light • A Thought of Death • Hobson • Decaying Light • Window Women • Dead Bee • The Imagery • For Rent • Mona Lisa MMXVIhttps://digitalcommons.ursinus.edu/lantern/1185/thumbnail.jp

The Lantern, 2014-2015

• The Retreat • Part of Eve\u27s Discussion • Buchanan • Hypotheticals • The Baby Hippo • Sertraline and Cheerios • Margins • Anatomy of Me • Orange • Ode to Mathematics • Garden Path • Periphery • 10n Power=Our Maybe Domains • Hillside • Baltimore//Analogues • Work is a Religion • At the Bridal Shower • November • Revisionist History • Cold Front • Lung (for D. Avitabile) • Tether • Hold Still • Reverb • An Almost English Major and His Daughter • Clocks • In the Kitchen on a Sunday Afternoon • Amy • Nine • Customary Thoughts • Showers • Te Encuentro • I Find You • Literary Analysis • The Diamond on My Face • Catherine • Hunsberger Woods, 11:42 on a School Night • Cabbage • After Class • For Chell • To Whom It May Concern • Contra • Shards • Smoke and Roses • Polaroid • Spring\u27s Debut • The Deadline • A Previous Life • Wet Canvas • Obsessions and Compulsions • For Xandra • The Seagulls of 17th Street • No Man\u27s Land • Summer Flowers • Float • Dana Reads • A Barcelona Moment • Business Meeting • Posted • Champagnehttps://digitalcommons.ursinus.edu/lantern/1181/thumbnail.jp

The Lantern, 2017-2018

On Dissociation • Untouchable • After Rocket Man • The Science Fair • Cardinal Rule at Stephen J. Memorial • Quentin & Sylvie • Cabello • The Get Out • Painting Day • Black, White and Grey • Family Pruning • How to Remove a Stain • Becoming Ourselves • Wonderbread U • Overture • Pescadero • Gross • Stage Fright • Lucky Daddy • Sarah • Rumble • Silvermine • The Green Iguana • A Poem for Ghost Children • A Poem for Lost Boys • Mother • Drop of Grease • Don\u27t Wanna be White • I • Amelia Earhart Disappeared Into My Vagina: An Ode to Cunts, Menstrual Cups and All Things Woman • Suburban Summer • Nightmares and Dreams Induced by My Mother • Teacups, Skins, etc. • Three Thoughts About My Bedroom • Dear Siri • 2 Queens (Beyonce in Reference to Sonia Sanchez) • Voyeurs • In Front of the Bathroom Mirror • To a Rose • Howl • Mice • Mirror • Language Accordion Volcano Mouth • Lucky Woman • Butterscotch • To Persephone • Wolf • Notes Never Passed • Topple • Bust • Kyoto • Identity • Sunflower • Tornabuoni Bubbles • Olympia • Decayed Hall • Perspectivehttps://digitalcommons.ursinus.edu/lantern/1186/thumbnail.jp

The Lantern, 2015-2016

• Ghosts • Going to China • 98% Guaranteed • Constellation/Boulevard • Prayer • The Little One • Burning • The Amber Macaroon • Becoming • Requiem • Construction Site • Thirteen Ways of Looking at a Dragon • Charlie • No Sleep • A Lesson in Physical Education • Statues • Who Can Love a Black Woman? • Apples • Fun Craft • The Door at Midnight • Eve as a Book in the Bible • Boys • Diamond Heart • To Apollo • Joanne and Her July Garden • Option A, 1936 • Young White Girls, Hollow Bodies, and Home • Mama\u27s Stance on Sugar • The Mariana Trench • Hurricane • Part of the Job • Avenue H Blues • Hour of Nones • Send Toilet Paper • Grave Robbing • Wild Turkey • The Creek • Let\u27s Go for a Walk • Deaconess • Border of Love • Your Father, Rumpelstiltskin • Purchasing Poplars • Red Tatters • Sunken • Whispers • Existence • God Took a Cigarette Break with Police Officers • Martian Standoff • In the Headlights • It\u27s a Subtle Thing • Dear Kent • Hanako-san • A Brief Interlude • On Fencing, Gummy Worms, and my Inescapable Fear of Living in the Moment • Stolen Soul • Block • Mortem Mei Fratris • Kalki • Lake Placid • Atom and Eve • The Baerie Queene • Gladston • Soldiers at Gettysburg • Pattern • Foliage • Mass Media • Arrow • Move Out • Wanderers • Riverside Gardenhttps://digitalcommons.ursinus.edu/lantern/1182/thumbnail.jp