Disruption of visual short-term memory by changing-state auditory stimuli: The role of segmentation

Typically, serial recall performance can be disrupted by the presence of an irrelevant stream of background auditory stimulation, but only if the background stream changes over time (the auditory changing-state effect). It was hypothesized that segmentation of the auditory stream is necessary for changing state to be signified. In Experiment 1, continuous random pitch glides failed to disrupt serial recall, but glides interrupted regularly by silence brought about the usual auditory changing-state effect. In Experiment 2, a physically continuous stream of synthesized vowel sounds was found to have disruptive effects. In Experiment 3, the technique of auditory induction showed that preattentive organization rather than critical features of the sound could account for the disruption by glides. With pitch glides, silence plays a preeminent role in the temporal segmentation of the sound stream, but speech contains corr-elated-time-varying changes in frequency and amplitude that make silent intervals superfluous

Auditory stream formation affects comodulation masking release retroactively1

Many sounds in the environment have temporal envelope fluctuations that are correlated in different frequency regions. Comodulation masking release (CMR) illustrates how such coherent fluctuations can improve signal detection. This study assesses how perceptual grouping mechanisms affect CMR. Detection thresholds for a 1-kHz sinusoidal signal were measured in the presence of a narrowband (20-Hz-wide) on-frequency masker with or without four comodulated or independent flanking bands that were spaced apart by either 1∕6 (narrow spacing) or 1 octave (wide spacing). As expected, CMR was observed for the narrow and wide comodulated flankers. However, in the wide (but not narrow) condition, this CMR was eliminated by adding a series of gated flanking bands after the signal. Control experiments showed that this effect was not due to long-term adaptation or general distraction. The results are interpreted in terms of the sequence of “postcursor” flanking bands forming a perceptual stream with the original flanking bands, resulting in perceptual segregation of the flanking bands from the masker. The results are consistent with the idea that modulation analysis occurs within, not across, auditory objects, and that across-frequency CMR only occurs if the on-frequency and flanking bands fall within the same auditory object or stream