3 research outputs found
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Voices of Occupiers/Liberators: the BBC's radio propaganda in Italy between 1942 and 1945
The ambiguity of the role played by British propaganda in Italy during the Second World War is clearly reflected in the phenomenon of Radio London. While Radio London raised the morale of the Italian civilians living under the Fascist regime and provided them with alternative information on the conflict, the microphones of the BBC were also used by the British government to address a country they were planning to occupy. In this article, I will analyse the occupation/liberation operations that were run at the BBC Italian Service from two separate angles. On the one hand, the analysis of the programmes broadcast between the months preceding the Allies’ landing in Sicily and the actual occupation shows how the Allies built their image as liberators and guarantors of better living conditions. On the other, the analysis of the relationships between the Foreign Office and the anti-Fascist exiles reveals that the Italian BBC broadcasters were not always allowed to freely express their political opinion or to dispose of their own lives
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London Calling Italy: BBC broadcasts between occupation and liberation (1942-45)
In September 1938 the BBC broadcast in French, German and Italian for the first time. The Second World War would break out the following year. The ambiguity of the British propaganda aimed at Italy during the Second World War is clearly reflected in the broadcasts of the BBC Italian Service as well as in the relationships between the British Foreign Office and the Italian broadcasters at the BBC. Radio Londra, as the BBC was known in
Italy during the conflict, was concurrently the voice of an occupier and a liberator of Italy from the Nazi-Fascist yoke. Despite this, the station is mainly
remembered as the authentic voice of anti-Fascism and Resistance. Drawing on unexplored archival material collected in Italy and the United Kingdom, this thesis aims to understand why the BBC programmes have become one of the myths of Italian cultural heritage of the Second
World War. The work takes into account both British and Italian perspectives by answering three main research questions: to what extent the Italian exiles working at the BBC were allowed to operate independently from the
British Foreign Office; what the programmes said during the most delicate phases of the Allied Italian campaign in order to engage with as many Italians as possible; and how the programmes were received by the Italian civilians. While answering these questions the research focuses on two key elements: the role played by transnational broadcasts in both creating a European identity and offering ordinary people a window onto a foreign world; and the contribution of the foreigners living in the United Kingdom during the conflict to the development of the BBC as a leading global broadcaster. The thesis argues that the corporation did play an ambiguous role but it was the reception of the programmes in Italy at the time that created the myth of the BBC as an authentic supporter of the Italian antiFascist
cause. It also claims that one of the key reasons for the success of the Italian Service was its ability to engage with ordinary people and address their concerns during the difficult years of the war