Shadows Illuminated. Understanding German Expressionist Cinema through the Lens of Contemporary Filmmaking Practices

The article looks at German Expressionist cinema through the eyes of contemporary, non-commercial filmmakers, to attempt to discover what aspects of this 1920s approach may guide filmmakers today. By drawing parallels between the outsider nature of Weimar artist-driven approaches to collaborative filmmaking and twenty-first-century non-mainstream independent filmmaking outside of major motion picture producing centres, the writers have attempted to find ways to strengthen their own filmmaking practices as well as to investigate methods of re-invigorating other independent or national cinemas. Putting their academic observations of the thematic, technical, and aesthetic aspects of Expressionist cinema into practice, Ells and Saul illustrate and discuss the uses, strengths, and pitfalls, within the realm of low-budget art cinema today

Island Visual Artists '86 : An Exhibition Representing the Work of Island Visual Artists

Wyatt stresses the importance of art education in Prince Edward Island. Includes brief statements and biographical notes for 93 artists

Island Visual Artists '84 : An Exhibition Representing the Work of Island Visual Artists

Williamson gives an anecdotal history of Prince Edward Island's art scene. Includes biographical notes and artists' statements

Island Visual Artists'82 : An Exhibition Representing the Work of Island Visual Artists

Arsenault points out the diversity of Prince Edward Island artists' work. Includes brief artists' statements and biographical notes