23 research outputs found

    Performing gender in the ‘theatre of war’: embodying the invasion, counterinsurgency and exit strategy in Afghanistan

    Get PDF
    This thesis offers a critical feminist reading of the war in Afghanistan, from invasion, through the practice of counterinsurgency, to the training of the Afghan National Army as a central part of NATO’s exit strategy. Empirically it focuses on the discourses, policies and practices of the US and Norwegian militaries in Afghanistan. It draws on a range of material including military doctrine and policy, parliamentary discussions, public policy documents, interviews, political statements and soldiers’ memoirs. Deploying the theoretical framework of performative gender with an emphasis on embodiment, it shows how particular gendered bodies are called into being and how the distinct practices of war in Afghanistan produce and rely on a series of multiple, fluid and, at times, contradictory performances of masculinity and femininity. It demonstrates how gendered performances should not be considered superfluous, but rather integral to the practices of war. It illustrates this, first, by examining the production of the (in) visible ‘body in the burqa’ alongside the ‘protective masculinity’ of Western politicians in the legitimation of the invasion; second, through the ‘soldier-­‐scholars’, ‘warriors’ and the Female Engagement Teams (FETs) in practices of ‘population­‐centric’ counterinsurgency, examining the ways in which counterinsurgency is a gendered and embodied practice; and third, through the remaking of the fledgling Afghan National Army (ANA) recruits in the NATO exit strategy. The thesis furthers feminist studies on gender and war in International Relations by emphasising the multiplicity of gendered bodies and performances by problematizing singular notions of masculinity and femininity. It contributes to existing literature that reads the war in Afghanistan as a neocolonial and biopolitical practice, enhancing these readings by paying attention to the gendering of bodies and their performances, thereby expanding critical investigations into late modern ways of war and counterinsurgency

    ‘War Ink’: sense-making and curating war through military tattoos

    Get PDF
    Veterans have long sought to make sense of and capture their wartime experiences through a variety of aesthetic means such as novels, memoirs, films, poetry and art. Increasingly, scholars of IR are turning to these sources as a means to study war experience. In this article we analyze one such sense-making practice that has, despite its long association with war, largely gone unnoticed: military tattoos. We argue that military tattoos and the experiences they capture can offer a novel entry point into understanding how wars are made sense of and captured on the body. Focusing on a web archive – ‘War Ink’ – curated and collected for and by US veterans of Iraq and Afghanistan, we analyze how tattoos perform an important ‘sense-making’ function for participating veterans. We focus on three recurring themes – loss and grief, guilt and anger, and transformation and hope – demonstrating how military tattoos offer important insights into how military and wartime experience is traced and narrated on and through the body. The web archive, however, not only enables a space for veterans to make sense of their war experience through their tattoos, the archive also does important political work in curating the broader meaning of war to the wider public

    Liberal warriors and the violent colonial logics of “partnering and advising"

    Get PDF
    Building on the feminist literature that traces the (re)production of militarized masculinities in and through military interventions, this article details some of the ways British soldiering subjects are being shaped in today's counterinsurgency context. Required now to be both nation builders and war fighters, contemporary soldiers are a “softer,” less masculinized subjectivity, and what Alison Howell has termed “liberal warriors.” British troops with their long history of colonialism and frequent overseas military campaigns are understood to be particularly suited to this role. Taking the British military's involvement in the “partnering and advising” of the Afghan National Army (ANA), this article pays attention to the interlocking gendered, raced, and sexualized discourses through which the British/Afghan encounter is experienced. Exploring first British troops' preoccupation with the perceived femininity and homosexuality of their Afghan counterparts, and second, Afghan hypermasculinity as demonstrated by the characterizations of their violent and chaotic fighting tactics, colonial logics are revealed. While British liberal warriors come to know “who they are” through these logics, (mis)represented Afghan soldiers are rendered increasingly vulnerable to the very “real,” very material violences of war

    Critical international relations and the impact agenda

    Get PDF
    How should critical International Relations (IR) scholars approach the ‘impact agenda’? While most have been quite resistant to it, I argue in this essay that critical IR should instead embrace the challenge of impact – and that both IR as a field and the impact agenda more broadly would gain greatly from it doing so. I make this case through three steps. I show, firstly, that critical IR has till now been very much at the impact agenda’s margins, and that this situation contrasts strikingly with its well-established importance within IR teaching and research. I argue, secondly, that critical IR scholars both could and should do more impact work – that the current political conjuncture demands it, that many of the standard objections to doing so are misplaced, and indeed that ‘critical’ modes of research are in some regards better suited than ‘problem-solving’ ones to generating meaningful change – and offer a series of recommended principles for undertaking critically-oriented impact and engagement work. But I also argue, thirdly, that critical social science holds important lessons for the impact agenda, and that future impact assessments need to take these lessons on board – especially if critical IR scholarship is to embrace impact more fully. Critical IR, I submit, should embrace impact; but at the same time, research councils and assessments could do with modifying their approach to it, including by embracing a more critical and political understanding of what impact is and how it is achieved

    Gendering counterinsurgency: performativity, experience and embodiment in the Afghan 'theatre of war'

    No full text
    This book analyses the various ways counterinsurgency in Afghanistan is gendered. The book examines the US led war in Afghanistan from 2001 onwards, including the invasion, the population-centric counterinsurgency operations and the efforts to train a new Afghan military charged with securing the country when the US and NATO withdrew their combat forces in 2014. Through an analysis of key counterinsurgency texts and military memoirs, the book explores how gender and counterinsurgency are co-constitutive in numerous ways. It discusses the multiple military masculinities that counterinsurgency relies on, the discourse of ‘cultural sensitivity’, and the deployment of Female Engagement Teams (FETs). Gendering Counterinsurgency demonstrates how population-centric counterinsurgency doctrine and practice can be captured within a gendered dynamic of ‘killing and caring’ – reliant on physical violence, albeit mediated through ‘armed social work’. This simultaneously contradictory and complementary dynamic cannot be understood without recognising how the legitimation and the practice of this war relied on multiple gendered embodied performances of masculinities and femininities. Developing the concept of ‘embodied performativity’ this book shows how the clues to understanding counterinsurgency, as well as gendering war more broadly are found in war’s everyday gendered manifestations. This book will be of much interest to students of counterinsurgency warfare, gender politics, governmentality, biopolitics, critical war studies, and critical security studies in general

    Women as ‘practitioners’ and ‘targets’: gender and counterinsurgency in Afghanistan

    No full text
    Feminist scholarship has shown how gender is integral to understanding war, and that the invasion of Afghanistan in 2001 was partly legitimated through a reference to Afghan women’s ‘liberation’. Recognizing this, the article analyses how gender is crucial also to understanding the practice of ‘population-centric’ counterinsurgency in Afghanistan. Because this type of warfare aims at ‘winning hearts and minds’, it is in engaging the population that a notable gendered addition to the US military strategy surfaces, Female Engagement Teams (FETs). Citing ‘cultural sensitivity’ as a key justification, the US deploys all-female teams to engage with and access a previously untapped source of intelligence and information, namely Afghan women. Beyond this being seen as necessary to complete the task of population-centric counterinsurgency, it is also hailed as a progressive step that contributes to Afghan women’s broader empowerment. Subjecting population-centric counterinsurgency to feminist analysis, this article finds that in constructing women both as ‘practitioners’ and ‘targets’, this type of warfare constitutes another chapter in the various ways that their bodies have been relied upon for its ‘success’
    corecore