4 research outputs found
Frei LuĂs de Sousa d’Almeida Garrett. Pour une approche pragmatique du texte dramatique
In this article, we analyse, from a pragmatic point of view, the dialogue of the play Frei LuĂs de Sousa by Almeida Garrett and its translation made by Maxime Formont at the beginning of the 20th century and published in Livourne. We focus on the strategies used by the participants in the theatre discourse in order to consolidate and sometimes even to renegotiate their interpersonal relationship. Our main interest concerns the use of nouns and pronouns in the 1st Act. For a better understanding of the socio-historical context of this play, we propose a short introduction to the 19th century, in Portugal. We also present and analyse some important para-textual pieces of information that accompany the translation made by Maxime Formont.In this article, we analyse, from a pragmatic point of view, the dialogue of the play Frei LuĂs de Sousa by Almeida Garrett and its translation made by Maxime Formont at the beginning of the 20th century and published in Livourne. We focus on the strategies used by the participants in the theatre discourse in order to consolidate and sometimes even to renegotiate their interpersonal relationship. Our main interest concerns the use of nouns and pronouns in the 1st Act. For a better understanding of the socio-historical context of this play, we propose a short introduction to the 19th century, in Portugal. We also present and analyse some important para-textual pieces of information that accompany the translation made by Maxime Formont
Porto, une ville culturellement dynamique: Book Review : Porto, a Cultural Dynamic City. O teatro no Porto no perĂodo entre guerras. Os teatros Carlos Alberto e SĂŁo JoĂŁo (1914-1945), by Joana Miguel Moreira. Casal de Cambra : CaleidoscĂłpio – edição e artes gráficas, 2017.
Catherine Kerbrat-Orecchioni, dir., S’adresser à autrui. Les formes nominales d’adresse en français
Sous la direction de Catherine Kerbrat-Orecchioni, le volume S’adresser à autrui. Les formes nominales d’adresse en français, paru en 2010, réunit douze contributions, y compris l’introduction (pp. 7-30) et le bilan (pp. 335-372) qui sont signés par la coordinatrice elle-même. Le volume a été réalisé sous l’égide de l’université de Savoie dans le cadre du laboratoire Langages, littératures, sociétés. Catherine Kerbrat-Orecchioni est professeure émérite à l’université Lumière Lyon 2 et membre ..