The concept of anyone is key to the discussion of 3D production

The burgeoning 3D scene provides a panoply of opportunities for academic and museum communities to engage with diverse and increasingly technologically astute audiences. Until recently, technological and financial barriers to entering the 3D realm have been relatively high, even insurmountable for private and public institutions and individuals considering the development of 3D models en masse. The advent of high-quality mobile phone cameras, mobile 3D production applications, and the rise of photogrammetry now makes it possible to cheaply and easily create 3D representations or even reproductions of suitable objects

Grismadox gen. nov., a new Neotropical genus of ant-resembling spiders (Araneae, Corinnidae, Castianeirinae), including the description of two new species from Bolivia and Paraguay

A new genus and two new species of ant-resembling castianeirine spiders are described from the Neotropics. Grismadox gen. nov. comprises four species: Grismadox baueri sp. nov., and Grismadox mazaxoides (Perger & Duperré, 2021) comb. nov. from Bolivia, and Grismadox karugua sp. nov. (type species) and Grismadox mboitui (Pett, 2021) comb. nov. from Paraguay. All species are diagnosed and the new species are described and illustrated. Available ecological data suggests that all four species are primarily epigeal and inhabit Grassland and savannah type habitats.Fil: Pett, Brogan L.. University of Exeter; Reino Unido. Colección Cientifíca Para La Tierra; Paraguay. Biodiversity Inventory For Conservation; BélgicaFil: Rubio, Gonzalo Daniel. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Nordeste; Argentina. Instituto Nacional de Tecnología Agropecuaria. Centro Regional Misiones. Estación Experimental Agropecuaria Cerro Azul; ArgentinaFil: Perger, Robert. Colección Boliviana de Fauna; Bolivi

Collective Re-Excavation and Lost Media from the Last Century of British Prehistoric Studies

There are thousands of forgotten archaeological archives hidden away in repositories all over the world, lost worlds where many scholars have toiled away for years, trying to record every detail and bit of information available about rare and precious archaeological objects in an attempt to bring order and understanding to an almost incomprehensible past. This paper discusses how these archives can be approached through Huhtamo's definition of media archaeology as a 'historically-attuned enterprise' that involves 'excavating forgotten media-cultural phenomena', focusing on the MicroPasts digitization project. It is shown that greater utilization of digital media simply changes and extends the terms of engagement, accessibility, and flow of information from antiquated archaeological archives to the community and back again

Citizen Archaeologists. Online Collaborative Research about the Human Past

Archaeology has a long tradition of volunteer involvement but also faces considerable challenges in protecting and understanding a geographically widespread, rapidly dwindling and ever threatened cultural resource. This paper considers a newly launched, multi-application crowdsourcing project called MicroPasts that enables both community-led and massive online contributions to high quality research in archaeology, history and heritage. We reflect on preliminary results from this initiative with a focus on the technical challenges, quality control issues and contributors motivations

Crowd-sourced Archaeological Research: The MicroPasts Project

This paper offers a brief introduction to MicroPasts, a web-enabled crowd-sourcing and crowd-funding project whose overall goal is to promote the collection and use of high quality research data via institutional and community collaborations, both on- and off-line. In addition to introducing this initiative, the discussion below is a reflection of its lead author’s core contribution to the project and will dwell in more detail on one particular aspect of MicroPasts: its relevance to research and practice in public archaeology, cultural policy and heritage studies

Finite group actions on reductive groups and buildings and tamely-ramified descent in Bruhat-Tits theory

The purpose of the paper is to give a new approach to tamely-ramified descent in Bruhat-Tits theory. This descent was first studied by Guy Rousseau in his thesis.Comment: 28 pages. arXiv admin note: text overlap with arXiv:1611.0743

Participation in heritage crowdsourcing

This paper draws upon the experience of several years of running a multi-application crowdsourcing platform, as well as a longitudinal evaluation of participant profiles, motivations and behaviour, to argue that heritage crowdsourcing cannot straightforwardly be considered a democratising form of cultural participation. While we agree that crowdsourcing helps expand public engagement with state-funded activities such as Galleries, Libraries, Archives, and Museums, we also note that both in our own experience and in other projects, the involved public cohort is not radically different in socio-demographic make-up to the one that physically visits such institutions, being for example financially better-off with high levels of formal education. In shedding light on issues of participation and cultural citizenship, through a both theoretically and empirically rich discussion, this paper light casts on the current impact of heritage crowdsourcing, in terms of both its strengths and weaknesses. The study will also be useful for cultural heritage policy and practice, museum management and curatorship, to potentially guide the choices and strategies of funders and organisations alike

Crowd-sourced archaeological research. The MicroPasts project. Open Access: http://www.ai-journal.com/article/view/ai.1705

This paper offers a brief introduction to MicroPasts, a web-enabled crowd-sourcing and crowd-funding project whose overall goal is to promote the collection and use of high quality research data via institutional and community collaborations, both on- and off-line. In addition to introducing this initiative, the discussion below is a reflection of its lead author’s core contribution to the project and will dwell in more detail on one particular aspect of MicroPasts: its relevance to research and practice in public archaeology, cultural policy and heritage studies