Zimbabwe mobilizes: ICAC's shift from Coup de Grăce to Cultural Coup

The International Conference on African Cultures (ICAC) was held at the National Gallery of Zimbabwe in Harare from September 11–13, 2017. Eight delegates write their reflections on the importance of this Africa-based event

Paper beads on the move: mobilizing trajectories and subjectivities to shape contemporary art in Uganda

Beads cannot simply be viewed as nonrepresentational, decorative entities. In Uganda, the art of paper bead[ing] is empowering women economically while mobilizing new trajectories that reflect the intersecting and shifting landscapes of public space and private space to shape inquiry into gender relationships, art, art-making, and politics

Reaching sideways, writing our ways: the orientation of the arts of Africa discourse

In Rehema Chachage's video installation, Kwa Baba Rithi Undugu (2010), sculptural objects representing old-fashioned transistor radios are mounted on the wall, side by side (Fig. 1). Embedded in each radio is a small video screen, which reveals a figure who stands in one place while the vertical line of the radio tuner crosses her body in search of the desired frequency (Figs. 2–3). A man's voice wafts in and out as it is periodically interrupted by unsolicited noise, revealing the difficulty of relating to others when sound is interrupted or there is an absence of voice. Voice, writes Chachage, is a “prerequisite for interlocution and the construction of discourse.” This work engages with the assertion that to “live means to participate in dialogue: to ask questions, to heed, to respond, to agree …” and to do so full heartedly with your “eyes, lips, hands, soul, spirit … whole body and deeds” (Bakhtin 1984:293)