The dawn of the copy in the Bronze Age

Contemporary everyday life is dominated by industrially reproduced serial objects that we perceive as easily replaceable in case of dam- age or loss. We are used to seriality, i.e. the existence of what we perceive as identical copies of a certain kind of object. Seen from a long-term perspective, humans have not been able to create visually identical copies in large numbers for the most part of their existence. Seriality only became possible to a larger extent with the invention of the bronze casting technique in the Near East in the early third millennium BCE, from where the technique was introduced to Central Europe in the late third millennium BCE. In my contribution to this volume, I want to elucidate the changes in the perception of the material world that were connected with the new technical possibility of casting large numbers of visually identical objects with casting moulds. I will demonstrate how the ability to produce almost identical copies resulted in the creation of new practices with objects and new ideas about the meaning and potential of objects in the world: the possibility to possess several identical weapons became the hallmark of the Early Bronze Age hero and groups of seemingly identical objects in the form of hoards were considered the most appropriate offering to the gods

Introduction: the Transformative power of the copy

This volume offers a fresh perspective on the copy and the practice of copying, two topics that, while the focus of much academic discussion in recent decades, have been underrepresented in the discourse on transculturality. Here, experts from a wide range of academic disciplines present their views on the copy from a transcultural perspective, seeking not to define the copy uniformly, but to reveal its dynamic and transformative power. The copy and the practice of copying are thus presented as constituents of transculturality via thought-provoking contributions on topics spanning time periods from antiquity to the present, and regions from Asia to Europe. In so doing, these contributions aim to create the basis for a novel, interdisciplinary discourse on the copy and its transcultural impact throughout history

Introduction: The transformative power of the copy

This volume offers a fresh perspective on the copy and the practice of copying, two topics that, while the focus of much academic discussion in recent decades, have been underrepresented in the discourse on transculturality. Here, experts from a wide range of academic disciplines present their views on the copy from a transcultural perspective, seeking not to define the copy uniformly, but to reveal its dynamic and transformative power. The copy and the practice of copying are thus presented as constituents of transculturality via thought-provoking contributions on topics spanning time periods from antiquity to the present, and regions from Asia to Europe. In so doing, these contributions aim to create the basis for a novel, interdisciplinary discourse on the copy and its transcultural impact throughout history

The dawn of the copy in the Bronze Age

Contemporary everyday life is dominated by industrially reproduced serial objects that we perceive as easily replaceable in case of dam- age or loss. We are used to seriality, i.e. the existence of what we perceive as identical copies of a certain kind of object. Seen from a long-term perspective, humans have not been able to create visually identical copies in large numbers for the most part of their existence. Seriality only became possible to a larger extent with the invention of the bronze casting technique in the Near East in the early third millennium BCE, from where the technique was introduced to Central Europe in the late third millennium BCE. In my contribution to this volume, I want to elucidate the changes in the perception of the material world that were connected with the new technical possibility of casting large numbers of visually identical objects with casting moulds. I will demonstrate how the ability to produce almost identical copies resulted in the creation of new practices with objects and new ideas about the meaning and potential of objects in the world: the possibility to possess several identical weapons became the hallmark of the Early Bronze Age hero and groups of seemingly identical objects in the form of hoards were considered the most appropriate offering to the gods

Auswertung von Daten der SCAR-GPS-Kampagnen und Permanentstationen in der Antarktis und Umgebung

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